Tuesday, August 30, 2011

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"Alpha to Omega" is a three-stage reading, writing and spelling programme for adults and children with learning difficulties. The three "Activity Packs" provide exercises in photocopiable worksheet form for direct use by students. Each pack has parents' and teacher's notes.

  • Sales Rank: #2361012 in Books
  • Original language: English
  • Dimensions: 7.60" h x .0" w x 6.65" l, .19 pounds
  • Binding: CD-ROM

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1 of 1 people found the following review helpful.
Help your dyslexic students.
By Doc Stevens
Looks very usable. Helps teacher work out the appropriate starting point in helping their dyslexic students. Only just starting to use it so may need to review again later after more comprehensive use.

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Sunday, August 21, 2011

[W106.Ebook] Ebook Social Communication in Advertising: Consumption in the Mediated Marketplace, by William Leiss, Stephen Kline, Sut Jhally, Jackie Botteril

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Social Communication in Advertising: Consumption in the Mediated Marketplace, by William Leiss, Stephen Kline, Sut Jhally, Jackie Botteril

Now available in a significantly updated third edition to address new issues such as the Internet and globalization, Social Communication in Advertising remains the most comprehensive historical study of advertising and its function within contemporary society. It traces advertising's influence within three key social domains: the new commodities industry, popular culture, and the mass media that manages the constellation of images that unifies all three.

The third edition includes:

* discussion of new technologies and issues, from the Internet to globalization

* updated and expanded examples and illustrations

* revisions throughout to address recent developments in advertising scholarship and the latest trends in advertising practice

 

  • Sales Rank: #1007203 in Books
  • Published on: 2005-09-30
  • Released on: 2005-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.57" w x 5.98" l, 2.17 pounds
  • Binding: Paperback
  • 696 pages

Review

"A well thought out and academically robust analysis of advertising as social communication, the most comprehensive synthesis of the smarter writings on advertising to be found, and a great resource book." -- Thomas C. O'Guinn, University of Illinois


"The third edition of this classic text offers a magisterial review of the evolving relationship between advertising and society, and a wealth of insights into the relationship between contemporary advertisements, their creators, and consumers." -- Stephanie O'Donohoe, University of Edinburgh, Scotland


"Both a magisterial survey and a pioneering study in its own right, the third edition of Social Communication in Advertising brings the story of advertising and its communicative strategies right up to the present. With a range and depth rare in the field, it is essential reading for those interested in critically understanding this most powerful of contemporary cultural institutions." -- Andrew Wernick, Trent University


"Social Communication in Advertising is a stimulating, wide-ranging analysis of a key crossroads where culture and commerce meet." -- Joseph Turow, University of Pennsylvania

"A solid text to offer in an introductory graduate course or an advanced undergraduate seminar on the social influence of advertising."--Ivy Glennon, University of Illinois at Urbana-Champaign

About the Author

William Leiss is Professor of Policy Studies at Queen's University.

Stephen Kline is Professor of Communication at Simon Fraser University.

Sut Jhally is Professor of Communications at the University of Massachusetts, Amherst and founder and executive director of The Media Education Foundation.

Jacqueline Botterill is a Lecturer at the University of East London.

Most helpful customer reviews

0 of 1 people found the following review helpful.
Excellent!
By Kristen
I did not end up buying the product but the seller was very fair and helpful and all was resolved. Would deal with them again and recommend them as a highly trusted seller to all others.

1 of 1 people found the following review helpful.
The best textbook on advertising history
By W. H. Schreurs
For anyone interested in advertising history, this is without any doubt the best textbook available. The history of advertising - a young and promising discipline - is covered from different perspectives and it's clear the authors are not biased. 'Social Communication' not only gives an overview of the most important writings on advertising history, but also shows possible directions for new research.
Wilbert Schreurs (teaching advertising history at the VU University in Amsterdam)

3 of 3 people found the following review helpful.
Interesting, informative, and accessible...
By K. Williams
but what's with all the typos? There are numerous misspellings, misuses of homonyms, dropped letters and spaces, etc. And I don't mean a couple of them, either--there are sections that have an error every few pages--sometimes more than one on a page. For me, it's distracting. But if such things don't bother you--add another star to my four-star review, because otherwise, it's a great book.

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[K792.Ebook] Download Credit ManagementFrom Routledge

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Credit ManagementFrom Routledge

First Published in 2016. Routledge is an imprint of Taylor & Francis, an Informa company.

  • Sales Rank: #5768073 in Books
  • Published on: 2010-06-28
  • Original language: English
  • Dimensions: 9.50" h x 6.75" w x 2.00" l, 3.85 pounds
  • Binding: Hardcover
  • 748 pages

Review
'Whether you are a student or a more experienced practitioner, an aspiring credit manager or seasoned professional, Credit Management is an essential reference, and I have great pleasure in recommending it.' - Philip King, Chief Executive, The Institute of Credit Management

About the Author
Glen Bullivant was a successful credit manager in industry from 1975 to the establishment of his own consultancy in 1993. He has held many honorary positions at the Institute of Credit Management, including Treasurer, Vice-Chairman and Chairman. Glen is active on the conference circuit and writes extensively on the topic. He was heavily involved in the development of the previous edition of the book (then Credit Management Handbook).

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Monday, August 15, 2011

[B677.Ebook] Fee Download Grace, Gold, and Glory My Leap of Faith, by Gabrielle Douglas, Michelle Burford

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Grace, Gold, and Glory My Leap of Faith, by Gabrielle Douglas, Michelle Burford

In the 2012 London Olympics, US gymnast Gabrielle Douglas stole hearts and flew high as the All-Around Gold Medal winner, as well as acting as a critical member of the US gold-medal-winning women gymnastics team. In this personal autobiography, Gabrielle tells her story of faith, perseverance, and determination, demonstrating you can reach your dreams if you let yourself soar.

  • Sales Rank: #118761 in Books
  • Brand: Zonderkidz
  • Published on: 2012-12-19
  • Released on: 2012-12-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .75" w x 6.30" l, .85 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Great product!

From School Library Journal
Gr 6–9—Gymnast Douglas may have made it look easy to win gold at the 2012 Olympics, but getting there was no easy feat. Her single mother worked double shifts to make ends meet, and her siblings gave up their activities so Gabrielle could train. This inspiring autobiography will be enjoyed by young fitness enthusiasts, dedicated gymnasts, or Christian adolescents, though it focuses mostly on the family's sacrifice and less on the actual competition at the Olympics, which some listeners may find disappointing. While Haleakala Wilson speaks well with proper inflection and typical teen speak (sorta, kinda, lol) listeners may find it hard to discern how Gabrielle's mother feels. Is she angry or just frustrated when Gabrielle wants to quit? Listeners will understand that the family believes that their faith and determination to overcome obstacles is what led Gabrielle to be able to be the first African American to win the all-around competition. This audio version could be an additional selection for libraries looking for autobiographies aimed at a middle school audience.—Karen Alexander, Lake Fenton High School, Linden, MI

About the Author

Gabrielle Douglas is a two-time Olympic gold medalist. At the 2012 Summer Olympics, she made history, becoming the first US gymnast to take home a team and an individual gold medal in the same Olympics. Gabrielle began her training at age six, and became the Virginia State Champion only two years later. When she was fourteen, she left her family in Virginia Beach to train with coach Liang Chow in Des Moines, Iowa. Under Chow’s guidance, and with tremendous faith in God’s plan for her, Gabrielle competed in the Olympic Trials and walked away with the only guaranteed spot on the team. Since her Olympic triumph, Gabrielle has used her platform to inspire millions with a powerful message: With hard work and persistence, any dream is possible. Visit her online at www.gabrielledouglas.com



Michelle Burford is a #1 New York Times bestselling collaborative writer and a founding editor of O, The Oprah Magazine. She is a Harvard-trained journalist whose work has taken her to more than 35 countries on six continents. A native of Phoenix, Michelle now resides in New York City. Visit her online at www.MichelleBurford.com

 

Most helpful customer reviews

0 of 0 people found the following review helpful.
G is Gold!!!
By a2z Consumer
As an older woman, Gabrielle Douglas story inspires and deeply touches me. I remember watching her with such rapt attention and admiration during the summer Olympics and reminiscing how nearly 20 years earlier, I watched Dominique Dawes with the same feelings. Amazing! Nearly two years later, I tune in to watch the Lifetime biopic and my eyes start to tear up as before the opening. Teary-eyed and proud, I made it through the biopic. And now, with her memoir, I am awarded the opportunity to dive deeper into her story. Fortunately, I read her memoir on my Kindle so my tears did not cause any damage. This is an truly inspirational story. It saddens me that young minority women have to endure any form of racism but as I think about it the Civil Rights Movement occurred in 1960s after 200 years of slavery and a systemized form of oppression. A lot of prejudice and racial bias is still buried deep. Alas, what does not kill you makes you stronger. I am glad that Gabrielle is receiving all the accolades as it is well deserved. I hope her story continues to inspire minority girls to enroll in gymnastics and I hope they pay special attention on the backlash Gabby receives and how well she handles it.

0 of 0 people found the following review helpful.
The journey of a teenage champion
By MaryJo Dawson
One is struck by how young Gabrielle was when this book was written! Certainly 4 years and life's ups and down have matured her since that time.
Almost everyone knows Gabrielle Douglas did not do as well at the 2016 Olympic games as she did in 2012.
But the story is a very worthwhile read, as it charts the early life and challenges of an extremely talented young lady. I learned a great deal about the
natural talent, training, and dedication needed to get where this athlete did. And not only on her part, but it took a lot of dedication for her family as
well. It is blatantly obvious faith in God's faithfulness was huge in the entire process.
Like anyone else, Gabrielle has weaknesses and has had disappointments. But she is a true champion. And her story isn't over yet.

4 of 4 people found the following review helpful.
“Whatever the mind can conceive and believe, it can achieve.”
By Rosanna
My husband bought this book for our daughter for Christmas. Our daughter has done competitive gymnastics since age 6 and is now 11 years old. A lot of hours, intense training and effort goes into this sport and the fact that our daughter misses out on a lot of things that other kids her age gets to do comes up sometimes. This book is a great read and realization for anyone considering the sport or currently in gymnastics that will open the eyes to the fact that the road to success is not always easy, but as the great Napoleon Hill said, “Whatever the mind can conceive and believe, it can achieve.”

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Friday, August 12, 2011

[E208.Ebook] Free PDF Mastering Elliott Wave Principle: Elementary Concepts, Wave Patterns, and Practice Exercises, by Constance Brown

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Mastering Elliott Wave Principle: Elementary Concepts, Wave Patterns, and Practice Exercises, by Constance Brown

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Mastering Elliott Wave Principle: Elementary Concepts, Wave Patterns, and Practice Exercises, by Constance Brown

An innovative approach to applying Elliott Wave Principle

By convention, most Elliott Wave Principle (EWP) practitioners focus on individual market price movement. Connie Brown has a global reputation of developing analysis that focuses on the integration of global markets. In a two book series you will be taken through the steps to master the global cash flows of today’s financial markets. The approach found in this first book differs from the traditional view of EWP because it shows you how geometry and the use of simple boxes drawn within a trend will guide you away from the common complaint of subjectivity, thereby making smarter trades of higher probability. While EWP can be a challenging topic, the structure of this book eases you into the analysis principles.

With Mastering Elliott Wave Principle you are guided step-by-step through the learning phases of Elliott Wave analysis and then your understanding is further challenged through self-examination. The preliminary coaching unravels common misunderstandings that sabotage the beginner. You will discover how price swings and waves are not the same. Elements of balance and proportion are mathematical concepts taught through geometry and not subjective. These basic skills establish a foundation that allow  beginners to understand what to expect from their level of skill. There are three distinct levels of skill that all masters of the EWP have learned. Now there is a series to guide your understanding at each skill level so you can develop a working knowledge of how to define market positions around the world in short or long term time horizons. Bring your biases, bring your past concerns and discover how this breakthrough and original approach to teaching the Wave Principle can help you.

  • Traders, from beginners to advanced, can use this book to become proficient in the Elliott Wave Principle
  • Contains practice charts to compare your understanding and skill level with follow-up discussions of how you may have differed based on the results from twenty years of coaching

  • Sales Rank: #235507 in Books
  • Brand: Brand: Bloomberg Press
  • Published on: 2012-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .70" w x 6.40" l, .80 pounds
  • Binding: Hardcover
  • 143 pages
Features
  • Used Book in Good Condition

From the Inside Flap

With twenty years of experience helping traders become more proficient in applying the Elliott Wave Principle (EWP) to their trading endeavors, author Connie Brown knows how difficult it can be. But over the years—as her skills have been shaped by the markets and the traders she has mentored—Brown has refined her way of teaching this subject so that even the most challenged individual may finally see markets move within correct wave patterns.

While EWP can be a tough topic, this book eases you into the technique by taking you step by step through Elliott Wave analysis. Preliminary coaching unravels common misunderstandings that tend to sabotage those getting started. First, you'll discover how price swings and waves are not the same. Then you'll see how the elements of balance and proportion, skills developed from the study of geometry, are not subjective.

With this information in hand, you'll quickly begin your journey to becoming a better trader by building a solid foundation in this discipline. And with the exercises included throughout these chapters, you'll also be able to test your knowledge of the concepts covered before moving on to other topics. Along the way, this reliable resource breaks down the basics of EWP and:

Through the use of boxes you learn how markets move in proportional units to easily see when market swings are incomplete

Addresses how to use proportional subdivisions within price data to forecast target prices

Provides a firm understanding of the basic patterns that evolve in trending and corrective market moves

Uncovers the greatest misconception in the industry about triangles

And much more . . .

To conclude Mastering Elliott Wave Principle are two examinations. A practice exam will allow you to shake out some of the common problems that you might have missed while reading through the book. The final exam will help truly measure your understanding of the issues explored—by uncovering any remaining weak spots that may exist—and ensure that you begin to see basic patterns.

If you want to become a better trader, the information found here can help you achieve this goal. With Mastering Elliott Wave Principle as your guide, you'll be in a better position to trade today's dynamic markets.

From the Back Cover

Praise For Mastering Elliott Wave Principle

"By the second chapter, one thought kept repeating, 'Oh my, I'm really going to understand how to do this!' Interpreting wave counts was just too difficult before—with no one to highlight my mistakes and point out the real clues to the next probable move. Reading this book is just like sitting next to Connie and her trading screens . . . patiently walking through, bar-by-bar, the hints and indications exposed by the market. She holds nothing back."
—Annette M. Koberlein, CAIA, CMT, Trader, SAC Capital Advisors

"The application of balance, proportion, and symmetry is carefully explained step by step through the use of actual screenshots and examples that cover a variety of markets and time horizons. This is the first half of the new gold standard for any serious practitioner of the Elliott Wave Principle."
—Stephen Andersen, Senior Manager, Janus Capital Group

"This is Elliott Wave Theory in the eyes of a Gann expert. Connie definitely took the theory to a whole new level and made it easier to understand. True work of a master."
—Mohammad Alkhabbaz, Kuwait

"Connie Brown's understanding of the Elliott Wave Principle is substantial and comprehensive. She has an exceptional ability to teach students how to bridge the gap between traditional text book diagrams and real-world application. Mastering Elliott Wave Principle is required reading for anyone looking for a solid foundation in Elliott Wave analysis."
—Kyle Crystal, CMT, Hedge Fund Manager

About the Author

Constance Brown, CMT, is the founder of Aerodynamic Investments Inc. (www.aeroinvest.com). Connie trades for an institutional bank and offers research and analysis to financial institutions worldwide. She also trains other advanced professionals and hedge fund managers. The Market Technicians Association in New York has members in seventy countries. The organization selected her book Technical Analysis for the Trading Professional, Second Edition as required study for the final certification examination for the CMT (Chartered Market Technician). She has written nine books and was recently the editor of the Journal of Technical Analysis. Brown has been a professional trader with extensive global experience trading futures markets since 1991.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Make Some Sense
By sandeep
Its Been 4 Years Since the basic book has been released...Author should make some sense for delaying the 2nd book for so long,Those who bought the 1st book are fools? With basic principles one cant read charts,its not possible,mkt can go into deeper corrections most of the time....
It wont be in bull or bear phase for quite long.....In the 1st book itself she forgot to mention that there il be extending waves in wave 1 or wave 5 at times.....There is no scope for that in her book on how to tackle that.......Box strategies are useful when only wave 3 is extended.(if it does).
She mentioned with three bars you can say that impulse has been developed,its wrong.......I can show numerous examples where it doesnt...
3 Bars can be either be impulse or diagonal......Some times u can see after significant bull rally,there will be a top where 3 bars have been pointed towards downside,it doesnt mean its start of the correction or next major impulse....If its an expanded flat? Then u r gone n out....Sometimes u can see the 3bars which are pointing downwards,which u think is start of an impulse can contain 3 waves in each segment ,it can be visible only on lower time frame..If mkt moves back to original trend after tht 3 bars which she thinks are impulse in nature.....It only means thats its part of an irregular correction and 3 bars itself can be impulse in nature or ending diagonal....If u c on same time frame,u can c it as impulse,but it can be ending diagonal which rarely occurs in wave c position...(If its part of expanded flat correction)
Diagonals usually faces in direction of trend,which she forgot to mention,coz its very helpful for novice in finding it out.....that differentiates between triangles and diagonals......
I dont know what author is thinking by delaying the 2nd book for so long.........I dont know how cmt professionals chose her book in cmt course.
Dont u think she is wasting our time by delaying the 2nd book?.......It takes years of practice to master elliot waves and she is fuel in heat.

0 of 0 people found the following review helpful.
Handy book
By Amazon Customer
I like the way the book is written you get explanation then exercise then a test and you found the biggest takeaways appear in each of those phases , the writer did a great job can't wait for the advanced one .

0 of 0 people found the following review helpful.
very practical way of explaining EWP
By Shi Ting
Very helpful tips of applying EWP instead of just talking about theory. However the book requires some basic understanding of EWP or other technical analysis skills in order to follow up the content well.

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Monday, August 8, 2011

[G413.Ebook] Free PDF Who Built the Moon?, by Christopher Knight, Alan Butler

Free PDF Who Built the Moon?, by Christopher Knight, Alan Butler

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Who Built the Moon?, by Christopher Knight, Alan Butler

Who Built the Moon?, by Christopher Knight, Alan Butler



Who Built the Moon?, by Christopher Knight, Alan Butler

Free PDF Who Built the Moon?, by Christopher Knight, Alan Butler

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Who Built the Moon?, by Christopher Knight, Alan Butler

The authors of Civilization One return, bringing new evidence about the Moon that will shake up our world. Christopher Knight and Alan Butler realized that the ancient system of geometry they presented in their earlier, breakthrough study works as perfectly for the Moon as it does the Earth. They found a consistent sequence of integer numbers that they can apply to every major aspect of the Moon; no such pattern emerges for any other planet or moon in the solar system. In addition, Knight and Butler discovered that the Moon possesses few or no heavy metals and has no core—something that should not be possible. Their persuasive conclusion: if higher life only developed on Earth because the Moon is exactly what it is and where it is, it becomes unreasonable to cling to the idea that the Moon is a natural object—an idea with profound implications.
 

  • Sales Rank: #28028 in Books
  • Brand: imusti
  • Published on: 2007-02-01
  • Released on: 2006-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .84" w x 6.01" l, .96 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Watkins

About the Author
Christopher Knight has written five very successful books. His first book, The Hiram Key, co-authored with Robert Lomas, was published in 1996 and it immediately went into the UK top ten, bestseller list and remained there for 8 consecutive weeks. It has since been translated into 37 languages and sold over a million copies worldwide, becoming a bestseller in several countries. Alan Butler, a qualified engineer, but always fascinated by history made himself into something of an expert in astrology and astronomy. He has published four successful books on the Knights Templar and the Grail legend. He is also a published playwright and a very successful radio dramatist. They are co-authors of the best selling Civilization One.

Most helpful customer reviews

16 of 18 people found the following review helpful.
That's not a moon...
By Dave C.
After reading this book I am utterly 100% convinced that our Moon is an artificial construct. The evidence is right there, has been right in front of our faces all along, and has been waiting for us to make the seemingly obvious connections pointing to the irrefutable proof that the Moon was engineered by intelligent design and not simply by random chance or accident. There are far too many "coincidences" that cannot be dismissed by current academic and scientific theories for the creation of our moon such as:

- The size of the moon from the Earth is the same relative size as the sun for a total solar eclipse to occur.

- The moon's diameter is exactly 400 times smaller than the sun. The moon is also 1/400th the distance between the Earth and the sun.

- The sidereal period of the moon is 27.321 days. The circumference of the moon is 27.322% the circumference of the Earth.

- The Sun is exactly 109.288 times the size of the Earth (4 x 27.322). The circumference of the Moon is 10928.8 kms (400 x 27.322)

- The Earth is 3.66 times larger than the moon. The Earth takes 366 days to complete one solar orbit.

- The rotation of the moon turns at precisely the velocity that it does relative to the Earth so that one side is always facing us.

- The moon is likely hollow or without a core and that when the Apollo landers crashed into it that it unexpectedly rang like a bell for several hours.

- The lunar surface contains the same isotopic signatures as the composition of rocks from the Earth but contains no heavy metals such as iron.

- The mass of the moon would neatly fit into the recesses between the Earth's continents suggesting that it was "carved" out of the Earth itself and that the generally accepted "Big Whack" theory that the moon was the byproduct of a violent collision with another planetoid the size of Mars is wrong and cannot be reconciled by a game of planetary billiards.

The odds of all of these observable facts and computations about our moon being the result of some naturally occurring phenomena are astronomically improbable as to be impossible. With regards to the Anthropic Principal it can be inferred by Albert Einstein who eloquently said that "God does not play dice with the universe" leading to the inescapable conclusion that the moon was strategically "placed" into orbit around our planet at the exact distance and inclination to the ecliptic plane that it is at in order to stabilize the tides and the seasons so that life as we know it could exist and evolve. Creationists will argue that it is further proof that it could only have been the product of divine creation as if placed precisely where it is by the hand of God, but to that I contend, "Built by God or built by an advanced extraterrestrial intelligence?"

Or was it time travelers from the distant future that terraformed our own existence 4.6 billion years ago, as the authors postulate?

You decide.

2 of 2 people found the following review helpful.
Interesting
By Neva Steffens
It reads reasonably well, but it has information that is now out of date. I am well versed in this subject matter, and I want to obtain further new information. For the newcomer to this information, it is excellent. For an old hand like me, not so much.

4 of 5 people found the following review helpful.
must read book even though it falters at the end...
By Mark H. Gaffney
I had previously read two other books by Chris Knight -- so was expecting to be impressed. I was not disappointed. The authors present a totally convincing case that the moon cannot possibly be natural -- and must have been engineered, though exactly how this was done remains a mystery.

I was surprised that the authors do not discuss the backside of he moon which never faces earth and, thus, appears to be the logical place to look for answers about who, what and how.

I also agree with other reviewers who express frustration with the authors, who after succeeding so magnificently in presenting the case for lunar artificiality, then stumble in the final chapters, in which they discount Mr E.T. and try to make a case for time travel that is just silly. I was also puzzled that the authors make no mention of '"intelligent design" and "directed panspermia", which was the theory favored by Sr Francis Crick, co-discoverer of DNA, and by Fred Hoyle, the imminent mathematician and astronomer who was right about so many things.

Once it is understood that life came (or was brought) to earth from elsewhere, it is not necessary to expect that we will unravel the deeper mystery of how life originally was formed. It is enough to know it happened somewhere, somehow, once upon a time.

The authors would have done well to pay closer heed to Hoyle's views about G-d versus Mr. E.T. Point being that the extra-terrestrial civilization that undoubtedly was responsible for installing the moon was/is so far advanced beyond we humans as to appear as gods. This said, our human race, though at a technological and scientific crawling stage, nonetheless regularly produces highly evolved saints such as Krishna and Jesus, beings with a direct connection to G-d. And Mr. E.T. is surely aware of this fact, even if the authors are not. Our human potential for the divine may even be what most fascinates E.T. about us, and why he keeps returning to our planet.

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[F173.Ebook] Get Free Ebook Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard

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Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard

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Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

  • Sales Rank: #73525 in Books
  • Brand: Hal Leonard
  • Published on: 1996-05-01
  • Released on: 1996-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .37" w x 8.50" l, 1.00 pounds
  • Binding: Plastic Comb
  • 152 pages
Features
  • "150 pages Size: 11"" x 8-1/2"" Composer: Bert Ligon ISBN: 793561930"
  • "Size: 11"" x 8-1/2"""
  • Composer: Bert Ligon
  • ISBN: 79356193

Most helpful customer reviews

20 of 20 people found the following review helpful.
Essential Resource for Learning Jazz Improvisation
By saxophobe
Bert Ligon's Connecting Chords with Linear Harmony is an essential resource for learning jazz improvisation. While the book is introductory and self-contained, those without some background in elementary jazz theory (major and minor scales, seventh chords, ii-V-I progressions in major and minor) will probably struggle a bit with the material.

Ligon's book ties together three main elements: 1) three elementary melodic "outlines" for navigating the ii-V-I progression, 2) common melodic "embellishing devices" (passing tones, approach tones, encircling tones, and so on) that can be applied to the outlines to transform them into "real music," and 3) about 250 transcribed phrases from the recordings of Clifford Brown, Charlie Parker, Tom Harrell and others that illustrate this process in the hands of master improvisers.

For many jazz neophytes who have struggled with the more common chord/scale pedagogical approach ("dorian for two beats, mixolydian for two beats, major for four beats"), a little effort with the material here will prove revelatory. The reason may seem a bit counter-intuitive - the "constraint" of embellishing a simple melodic outline provides a starting structure for creating solid jazz lines that is sorely lacking in the chord-scale approach. If this seems a bit mysterious, go to Ligon's USC main faculty web page, click on the jazz improvisation hyperlink, and spend some time digging around in the online materials. The material is poorly organized, but if you can find the "outlines" discussion it will give you a good sense of the contents of this book.

While the material here will keep most busy for a long while, this approach is intended as an entryway to the world of jazz improvisation. There is of course much more in that universe, and Ligon's three other volumes - see my comment to this review for direct links - are excellent resources for expanding one's exploration.

I would like to address a couple of criticisms of this book in other reviews.

Some reviewers criticize the use of short phrases from transcribed solos rather than longer examples. I disagree. The short phrases are entirely appropriate to illustrate the concepts in an introductory manual such as this. As one begins to master Ligon's material, it is very instructive to search complete transcriptions for the presence of embellished outlines. I agree that it would be wonderful to have references to the sources of the transcribed phrases.

One reviewer goes on at great length about example 3 on page 18. Ligon misjudged the placement of this example as it introduces a more advanced concept while the reader is still becoming familiar with the basic ideas. Worse, it has at least two typos, which render it a muddled mess. Example 5 on the next page is essentially the same example. I suggest skipping them on a first reading. To correct the typos: assuming the iii - V7/ii progression and key of F major are correct, the Am7(b5) in both examples should be Am7 and the B in example 3 should be Bb.

Finally, some reviewers have criticized the limited applicability of the basic ideas presented here. Short ii-V7-I examples dominate the book, but far from exclusively so. The application of Outline 1 to other progressions is discussed briefly on pages 28-30, modal applications are discussed briefly in Chapter 8, and pages 94-128 discuss lengthier progressions in detail.

10 of 10 people found the following review helpful.
Great Starting Place
By Jake Stewart
Connecting Chords with Linear Harmony has been a huge help for me in taking the first steps towards understanding improvisation and outlining chord changes.

The book is based on three "outlines" used to outline ii-V-I progressions with proper voice leading (7ths leading to 3rds, 9ths leading to 5ths, etc). The outlines concept and embellishments are very clearly explained in the first few pages. From there, the first half of the book gives example after example of famous players' licks, categorizing them by outline and explaining what devices they are using to embellish the outline. Jazz is a language, and I feel like the first half of the book shows you the written form and a bit about grammar and how statements are made.

From chapter 9 on, clear exercises are given to actually get the concept and licks into your improvisation. If this book were a language course, this would be the spoken part. Ligon shows how the outlines work over key changes, turnarounds, blues, Rhythm changes, and tunes like "Stella By Starlight", "All the Things You Are", and even "Giant Steps". At the end of the book, there are etudes and example solos (a Lou Donaldson solo and a Tom Harrell solo) to show the outlines in action. There are also two pages on exercises for teaching the concepts in a jazz improvisation class.

I feel that all of the concepts in the book are clearly explained. This is not a book of basic chord/scale knowledge with a bunch of licks to learn. Ligon does offer hundreds of great licks to learn and use, but the book teaches you to identify and understand the different ways you can outline chord changes. The book is also not a rigid guide of rules and regulations; you begin with the simple outlines, but end with the general understanding of how one chord connects to the next. A thorough understanding of the material presented here would surely give a player a good starting point- a wealth of licks and the understanding of how licks are built and embellished.

9 of 9 people found the following review helpful.
Meaningful connection
By Murden
Learning to improvise and expanding the spontaneous musical vocabulary beyond licks, and half hearted dying phrases have proved to be a quite challenge throughout the years. The the shelves in my bookcase are stacked with abandoned books on the topic. Some of them have become monuments to years of frustration and lack of development. So it would be fair to say that I received Bert Ligon's Connencting Chords with Linear Harmony with somewhat low expectations on what I would gain from working with it.

Surely, I was in for a surprise. With it's simple devices and vast amount of examples from the great legends of jazz, I soon found myself playing over chord progressions, and actually connecting the dots. It was a rewarding experience. No more pages on pages with arpeggios exercises, scales, modes and such. Like the ones that would take months to actually play. I'm not trying to advocate that these things don't matter. Of course they do. In fact I'm also working my way through Mickey Baker's Complete Course in Jazz Guitar: Book 2 (Ashley Publications) too and Creative Guitar 1: Cutting Edge Tech (v. 1), both excellent book, which are full of the above. But still, my point being -though there is a great amount of books that will improve your technique and/or give you great theoretic insight. But when it comes the mysterious craft of sculpting great solo lines, how to understand them and the sacred art of internalizing of them, while having lots of fun, there are only a few "hidden gems" (books) out there. Connecting Chords With Linear Harmony" is certainly one of them.

So now I'm looking forward to the day I clear out that particular shelf in my bookcase, to make room for this book, a monument to progression and achievement. On the other hand, that day may never come. I'm afraid this book is too exciting, practical and too awarding to just stand up there collecting dust. Bert Ligon's book should really have been glued to every music stand ever produced.

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Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard PDF

Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard PDF

Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard PDF
Connecting Chords with Linear Harmony (Jazz Book)From Hal Leonard PDF