Monday, July 29, 2013

[O539.Ebook] Free PDF We are the Change We Seek: The Speeches of Barack Obama, by E. J. Dionne, Joy-Ann Reid

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We are the Change We Seek: The Speeches of Barack Obama, by E. J. Dionne, Joy-Ann Reid



We are the Change We Seek: The Speeches of Barack Obama, by E. J. Dionne, Joy-Ann Reid

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We are the Change We Seek: The Speeches of Barack Obama, by E. J. Dionne, Joy-Ann Reid

A collection of Barack Obama's greatest speeches selected and introduced by columnist E.J. Dionne and MSNBC host Joy-Ann Reid. We Are the Change We Seek is a collection of Barack Obama's 26 greatest addresses: beginning with his 2002 speech opposing the Iraq War and closing with his final speech before the United Nations in September 2016. As president, Obama's words had the power to move the country, and often the world, as few presidents before him. Whether acting as Commander in Chief or Consoler in Chief, Obama adopted a unique rhetorical style that could simultaneously speak to the national mood and change the course of public events. Obama's eloquence, both written and spoken, propelled him to national prominence and ultimately made it possible for the son of a Kenyan man and a white woman from Kansas to become the first black president of the United States. These speeches span Obama's career--from his time in state government through to the end of his tenure as president--and the issues most important to our time: war, inequality, race relations, gun violence and human rights. The book opens with an essay placing Obama's oratorical contributions within the flow of American history by E.J. Dionne Jr., columnist and author of Why The Right Went Wrong, and Joy Reid, the host of AM Joy on MSNBC and author of Fracture.

  • Sales Rank: #203713 in Books
  • Published on: 2017-01-12
  • Format: International Edition
  • Original language: English
  • Dimensions: 5.39" h x 1.26" w x 8.46" l,
  • Binding: Paperback
  • 368 pages

Review
In a new book, 'We Are the Change We Seek: The Speeches of Barack Obama,' we have been given the first partial, though still substantive, look at Obama's words, and it is a political partisan's dream to see them so finely gathered here. Washington Post

About the Author
E.J. Dionne, Jr. is a senior fellow at the Brookings Institution, a syndicated columnist for the Washington Post, and a university professor in the Foundations of Democracy and Culture at Georgetown University. He is the author of six books. The most recent are Why the Right Went Wrong: Conservatism - From Goldwater to Trump and Beyond, published by Simon & Schuster in 2016, and Our Divided Political Heart, published by Bloomsbury in 2012. Joy-Ann (Joy) Reid is a political analyst and the host of "AM Joy" which airs weekend mornings on MSNBC. She is the author of Fracture: Barack Obama, the Clintons and the Racial Divide, published by William Morrow in September 2015, and released in paperback in September 2016.

Most helpful customer reviews

10 of 10 people found the following review helpful.
great book
By handibme
when you need a reminder what a President sounds like or how proud he can make you to be an American, pick up this book.

9 of 9 people found the following review helpful.
My President ....
By SedericksWife
What can I say I love this man and his family and wanted nothing more than to have this book to memorialize his greatness for my family for generations to come.

9 of 9 people found the following review helpful.
Five Stars
By Melissa Evans
I read this when I need something positive, especially with all that is going on with our politics now!

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Saturday, July 27, 2013

[V246.Ebook] PDF Download Star Wars Rebel Rising, by Beth Revis

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Star Wars Rebel Rising, by Beth Revis

New York Times bestselling author Beth Revis brings to life the early adventures and heartbreaks of the heroine of the smash hit movie Rogue One: A Star Wars Story.

When Jyn Erso was five years old, her mother was murdered and her father taken from her to serve the Empire. But despite the loss of her parents she is not completely alone-Saw Gerrera, a man willing to go to any extremes necessary in order to resist Imperial tyranny, takes her in as his own, and gives her not only a home but all the abilities and resources she needs to becomea rebel herself.

Jyn dedicates herself to the cause-and the man. But fighting alongside Saw and his people brings with it danger and the question of just how far Jyn is willing to go as one of Saw's soldiers. When she faces an unthinkable betrayal that shatters her world, Jyn will have to pull the pieces of herself back together and figure out what she truly believes in... and who she can really trust.

  • Sales Rank: #2689 in Books
  • Brand: Disney
  • Published on: 2017-05-02
  • Released on: 2017-05-02
  • Original language: English
  • Dimensions: 8.50" h x 1.25" w x 6.00" l, 1.00 pounds
  • Binding: Hardcover
  • 416 pages
Features
  • Star Wars Rebel Rising

About the Author

Beth Revis is the author of the New York Times bestselling Across the Universe series, thecompanion novel The Body Electric, a twisty contemporary novel A World Without You, andnumerous short stories. A native of North Carolina, Beth is currently working on a new novel forteens. She lives in rural NC with her boys: one husband, one son, and two dogs roughly the sizeof Ewoks.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Star Wars meh.
By Neil Hepworth
The beginning and end of the novel showed a lot of promise - dealing with both Jyn's early years with Saw, and with her subsequent capture by the Empire. Both were dark, gritty, and well plotted, even in their YA context. I just wish these moments in Jyn's life could have been explored by a non-YA novel. However, the middle of the book just reeks of the worst of YA tropes and character design. The love interest and his mother are very shallow, especially compared to how genuine the love story was in Lost Stars, another, better YA Star Wars novel. Rebel Rising is not a bad book at all - it's just very forgettable. The story would have served much better if it had been tackled in an Adult format.

On a side note - why did Disney decide to create Jyn's story in the YA realm? I mean, Ahsoka worked as a YA novel because the character came from a cartoon targeted at the YA audience. But Jyn's character comes from the most mature Star Wars to date, so...IDK. Seems odd to me.

Also, I'm ready for the Star Wars novels to move on to something other than "Here's a Story about a Character", i.e. Tarkin, Ahsoka, Thrawn, Rebel Rising, Catalyst: A Rogue One Novel, etc. Time to start thinking bigger. Maybe now that the Aftermath trilogy is done, they will. Please.

1 of 1 people found the following review helpful.
Jyn in Rogue One is a Complex Character, and Rebel Rising Shows Why
By Chip
No spoilers here, and I will keep it brief. As someone who LOVED Rogue One and Jyn Erso, one of the main things I craved coming out of it was more of Jyn and Saw Gerrera's history. Both Felicity Jones and Forest Whitaker are heavyweight actors, and their performances conveyed a lot of emotional baggage. With Rebel Rising, Beth Revis tells all, from when Saw rescues young Jyn in Rogue One to when we see her on the Wobani prison transport.

Beth Revis gives us the most compelling Star Wars book since Claudia Gray's Lost Stars, in my humble opinion. It gets right down to Jyn's psyche, and we see how she evolves and becomes the damaged young woman she initially is in Rogue One. We also get the seeds of the hero she ultimately becomes in Rogue One. Do not let the Young Adult label fool you; Rebel Rising is harrowing and brutal. I winced many times during this book, and much of it is emotionally devastating. But it never completely loses the feeling of hope. Beth Revis not only has engaging writing, even when the story slows down, but she does a fantastic job balancing bits of light within the dark.

I recommend Rebel Rising to those who loved Jyn in Rogue One and those who did not. I also recommend it to people who just want to read a great book. It adds a whole other layer of sympathy and complexity to her. Tonally it reminds me of Platoon, The Shawshank Redemption, The Bourne Identity, and Logan. It is best read as the 2nd chapter of The Erso Trilogy, Part I being Catalyst by James Luceno and Part III being Rogue One by Alexander Freed. I also want to add that since I'm reviewing the product, the book is gorgeous. Underneath the slipcover is the same art on the book, just textless.

May the Force Be With You as you buy and read Rebel Rising!

0 of 0 people found the following review helpful.
Good Star Wars story. Worth reading.
By Rick Lobrecht
I read the Kindle edition of this book.

Set in the gap between the opening sequences of Rogue One, and the main bulk of the movie, Rebel Rising tells the story of how Jyn Erso goes from scared little girl to Rebel. Even though it is written for young adults, any fan of Star Wars should enjoy the book. I know I did. This is recommended reading for any Star Wars fan. I only hope we get a similar treatment for Rey once a little more of her story is revealed in Ep. VIII.

MINOR SPOILERS AHEAD

We know from the movie that Jyn is rescued by Saw Gerrera and raised by him for many years before she is imprisoned by the Empire. We know she is a fighter.

Saw rescues her from her cave, and takes her to his secret base. As a freedom fighter, the Empire says terrorist, Saw is all business. Food as nourishment only. Fighting practice. Code breaking. Falsifying papers. Missions. Saw raises Jyn as his own, and teaches her what she needs to know. Many rebels come and go, varying with the mission. We see some of the brutality that Saw's band is capable of, and what has caused him to not be part of the main Rebel Alliance. We also see when Saw abandons Jyn in the middle of a battle with a blaster and a knife. Jyn manages to find people to take her in, always bringing the Empire along in her wake.

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Thursday, July 25, 2013

[R847.Ebook] Free Ebook Linguistic Diversity and Social Justice: An Introduction to Applied Sociolinguistics, by Ingrid Piller

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Linguistic Diversity and Social Justice: An Introduction to Applied Sociolinguistics, by Ingrid Piller

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Linguistic Diversity and Social Justice: An Introduction to Applied Sociolinguistics, by Ingrid Piller

Understanding and addressing linguistic disadvantage must be a central facet of the social justice agenda of our time. This book explores the ways in which linguistic diversity mediates social justice in liberal democracies undergoing rapid change due to high levels of migration and economic globalization. Focusing on the linguistic dimensions of economic inequality, cultural domination and imparity of political participation, Linguistic Diversity and Social Justice employs a case-study approach to real-world instances of linguistic injustice. Linguistic diversity is a universal characteristic of human language but linguistic diversity is rarely neutral; rather it is accompanied by linguistic stratification and linguistic subordination. Domains critical to social justice include employment, education, and community participation. The book offers a detailed examination of the connection between linguistic diversity and inequality in these specific contexts within nation states that are organized as liberal democracies. Inequalities exist not only between individuals and groups within a state but also between states. Therefore, the book also explores the role of linguistic diversity in global injustice with a particular focus on the spread of English as a global language. While much of the analysis in this book focuses on language as a means of exclusion, discrimination and disadvantage, the concluding chapter asks what the content of linguistic justice might be.

  • Sales Rank: #218053 in Books
  • Published on: 2016-03-22
  • Released on: 2016-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.50" h x 1.00" w x 8.20" l, .0 pounds
  • Binding: Paperback
  • 296 pages

Review

"Ingrid Piller presents a powerful case for how language is variously overlooked or misunderstood as a factor that entrenches disadvantage and inequality in a globalized society. She argues that discrimination based on language persists, often justified by appeal to the false premise that individuals exercise complete control over their own linguistic repertoires, and reinforced by tacit assumptions embedded in our cultural practices."--New Books Network


"This is a serious book on a serious subject. In a globalized world whose rhetoric celebrates linguistic diversity, Ingrid Piller shows that the reality is one of systemic inequality and disadvantage-and makes a strong argument that linguistic questions should figure prominently on the social justice agenda in the twenty-first century." --Deborah Cameron, Professor of Language and Communication, University of Oxford


"A vivid, powerful, and sober analysis of how language serves to entrench injustice and create indefensible discrimination. Piller's wide-ranging book should inspire and shock both the general reader and the research world." --Robert Phillipson, Professor Emeritus, Copenhagen Business School (Denmark), and author of books on language policy, linguistic imperialism, and language rights


"Highly recommended."--Choice


"Ingrid Piller presents a powerful case for how language is variously overlooked or misunderstood as a factor that entrenches disadvantage and inequality in a globalized society. She argues that discrimination based on language persists, often justified by appeal to the false premise that individuals exercise complete control over their own linguistic repertoires, and reinforced by tacit assumptions embedded in our cultural practices."--New Books Network


"[T]his text is an excellent introduction to how language is connected to local and global power structures."--Linguist List


"Linguistic Diversity and Social Justice: An Introduction to Applied Sociolinguistic meets the author's goal of linking linguistic discrimination with other forms of injustice and discrimination. Throughout the book, the author includes illuminating examples and anecdotes of each concept under discussion... The examples in each chapter are enlightening, surprising, and heart-breaking. The reader does not need to be a sociolinguist in order to understand the premise of this book; the book cites very few sociolinguistic studies, in fact...Nevertheless, for readers with no background in (socio)linguistics, this text is an excellent introduction to how language is connected to local and global power structures."--Linguist List


"The book offers a thorough and powerful analysis of how language-related issues stand in relation to injustice and discrimination. Today's globalized world might celebrate linguistic diversity rhetorically, but the author shows that reality is quite different - one of systemic inequality and disadvantage ... Piller has the experience and expertise to write a volume such as this one, and she has done an amazing and thorough job. The book constitutes an important contribution to language related issues and social justice correlation in today's globalized world."-- International Journal of Bilingual Education and Bilingualism


About the Author

Ingrid Piller is Professor of Applied Linguistics at Macquarie University, Sydney, Australia. Her research expertise is in Intercultural Communication, the Sociolinguistics of Language Learning and Multilingualism, and Bilingual Education. She serves as editor-in-chief of the international sociolinguistics journal Multilingua and curates the sociolinguistics portal Language on the Move.

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Wednesday, July 24, 2013

[C768.Ebook] Fee Download The Tenth Insight: Holding the Vision (Celestine Prophecy), by James Redfield

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The Tenth Insight: Holding the Vision (Celestine Prophecy), by James Redfield

The adventure that began with The Celestine Prophecy continues as the action shifts to a wilderness in the American Southeast where the narrator's friend has disappeared.

  • Sales Rank: #41934 in Books
  • Brand: Grand Central Publishing
  • Published on: 1998-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .75" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Great product!

Review
"In another spellbinding adventure tale, a worthy sequel to his Celestine masterpiece, James Redfield packs thrills, suspense and spiritual wisdom into a book you cannot put down. You must read The Tenth Insight!" -- Brian Weiss, MD, author Many Lives, Many Masters

About the Author
JAMES REDFIELD is the author of a number of critically acclaimed books, including The Tenth Insight, The Secret of Shambhala, The Celestine Vision and, of course The Sunday Times bestseller, The Celestine Prophecy, which also spent more than three years on the New York Times bestseller list. This remarkable book was also the world's No.1 bestselling work of fiction for two consecutive years. James Redfield lives in Alabama.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Amazing
By Neal B.
Just the synchronicities that occurred while reading this book... They were uncanny... As if someone was using the book to really teach me in life. This book is connected. I know this with out doubt.

3 of 3 people found the following review helpful.
The Celestine Series
By Jeanny
I found the Celestine Prophesy thought provoking, but was a little disappointed with the tenth insight. It didn't flow as smoothly and was more difficult to digest. However, I've read the next book in the series, The Secret of Shambhala, and am now reading the final book in the series, the Twelfth Insight, and they are both in the flavor of the original Celestine Prophesy. All of have been creative and interesting and encourage the reader to evaluate personal values and behavior. I am intrigued by the spiritual rather than traditional religious interpretations of the Bible. The interpretations struck a chord in me and the blending of science and spirituality is in line with my own personal beliefs. I highly recommend the Celestine series to readers.

11 of 11 people found the following review helpful.
The Tenth Insight is life changing!
By Pat Rutter
I hadn't read the Celestine Prophecy for years and so I decided to read it one day and forgot how moving it is. Then I went on line and I remembered that a sequel had been written years ago. That was the Tenth Insight. It will give you goose bumps or the shivers (whatever you like to call them.) It keeps showing us visions that we know we saw or felt all our lives but didn't really know if it was just a coincidence or all in your head. I've always believed that when I'm really praying hard for something and I see a bird (especially a hawk or an eagle) that I know that God has heard my request. It doesn't really matter if the prayer isn't answered, it's just awesome that God gave me a sign that he heard it. This book lets you know that all the quirky little things you've somehow believed since you were a child are not just random, they happen for a reason. Everyone's insight and visions are different but if we all work together in love as foretold in The Tenth Insight, what a wonderful world this would be. And for all the negative people out there who think this review is bull, that's what you see and that's what you get.
An old Chinese proverb says: Life's like a boomerang, what you throw out, comes back.

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Sunday, July 21, 2013

[X249.Ebook] Ebook Free Mary Berry Everyday, by Mary Berry

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Mary Berry Everyday, by Mary Berry

In this brand-new, official tie-in to Mary’s much anticipated series, the nation’s best-loved home cook will show you how to inject a little Mary magic into your everydy cooking , withover 120 delicious recipes. 

This book features all the recipes from the show, including delicious week night dinners, quick and easy entertaining ideas and of course, plenty of treats for those with a sweet tooth. Featuring Mary's no-nonsense tips and techniques, each chapter ensures perfect results every time. In addition, features on planning ahead, shopping well and using up leftovers,will help you make delicious food every day of the week.

With Mary's no-fuss guidance, discover a Mary Berry recipe for every day.

  • Brand: imusti
  • Published on: 2017-06-27
  • Released on: 2017-06-27
  • Format: International Edition
  • Original language: English
  • Dimensions: 10.00" h x 1.18" w x 7.76" l,
  • Binding: Hardcover
  • 320 pages
Features
  • BBC BOOKS

About the Author
MARY BERRY is the nation's favourite baker and the much-loved judge on the BBC's The Great British Bake Off. She has been teaching the nation to cook for over four decades and has over 70 books to her name, including the bestselling Mary Berry Cooks, Mary Berry At Home and Mary Berry's Baking Bible. Cordon Bleu trained in Paris, Mary began her career as a magazine cookery editor before publishing her first cookery book in 1966. Mary is also an AGA expert and taught AGA masterclasses for many years from her home with Lucy Young. In 2009 Mary was awarded the highly coveted Guild of Food Writers Lifetime Achievement Award and in 2012 she was made a CBE in the Queen's Birthday Honours list.

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Sunday, July 14, 2013

[X413.Ebook] Fee Download Six Degrees of Separation: A Play, by John Guare

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Six Degrees of Separation: A Play, by John Guare

In this soaring and deeply provacative tragicomedy of race, class, and manners, John Guare has created the msot important American play in years. Six Degrees of Separation is one of those rare works that capture both the supercharged pulse of our present era and the deepest and most mysterious movements of the human heart.

Six Degrees of Separation won the 1990 New York Drama Critics Circle Award for Best Play, as well as the Hull Warriner Award and the Obie.

  • Sales Rank: #360452 in Books
  • Published on: 1990-11-14
  • Released on: 1990-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .38" w x 5.20" l, .35 pounds
  • Binding: Paperback
  • 120 pages

From Publishers Weekly
Since its inception in 1974, L.A. Theatre Works, a nonprofit radio production company, has built up a sizable catalogue of ensemble-cast productions in which major name actors (including the likes of Richard Dreyfuss, Kelsey Grammer and Jacqueline Bisset) perform classic and contemporary plays. Typical is this famous Guare work, which stars Alan Alda, Swoosie Kurtz and Chuma Hunter-Gault and is directed by Jay Sandrich. Though on tape, the production still sounds more like theater than anything else: it's all in the timing. Recorded before a live audience, in the open-miked fidelity one can sense the ambient space surrounding the actors, the charge of excitement sparking between them. The opening scene, with its New York City society dinner party, sets the overall tone of clever talkiness (here, Alda and Kurtz especially shine). When a young African-American stranger arrives at the door, claiming to be the son of actor Sidney Poitier, the plot takes some wonderfully unexpected turns. As with other L.A. Theatre Works programs, this is especially well suited for would-be actors, as the tape draws attention to the mechanics of Guare's play itselfAand to the role played by a skilled cast in animating that material. Recommended for libraries and general audiences alike. (July)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
This new effort is an excellent production of Guare's famous play. When a young man enters the Fifth Avenue home of Flanders and Ouisa Kittredge claiming to be a friend of their children and son of actor Sidney Poitier, the couple is charmed by his manners, wit, and intelligence. When the Kittredges discover that "Paul" isn't all he claims to be, they find themselves stuck between embarrassment and fascination. Alan Alda and Swoosie Kurtz portray the Kittredges convincingly, with Kurtz's performance particularly effective, as she captures Ouisa's empathy and simultaneous desire not to get too involved with an obviously disturbed person. Chuma Hunter-Gault sensitively portrays the con man who manages to change the Kittredges' lives irrevocably. A few moments in which it becomes difficult to distinguish among characters' voices are all that mar a fine production. This will be welcome to students, lovers of the theater, and even more traditional fans of audiobooks. Recommended.
-Adrienne Furness, Genesee Community Coll., Batavia, NY
Copyright 2000 Reed Business Information, Inc.

Review
This new effort is an excellent production of Gure's famous play. -- Library Journal

Though on tape, [this] production still sounds more like theatre than anything else: it's all in the timing. --Publishers Weekly

Most helpful customer reviews

1 of 1 people found the following review helpful.
Brilliant theater
By Prof J
This is a beautifully written play. And wonderful to read. The fact that I saw Stockard Channing in the original and can hear her as I read it, probably helps.

0 of 0 people found the following review helpful.
A Thinking Man's Message
By Gwen P. Choate
While I never get as much reward from reading a play as a novel, I did find the message awesome, John Guare makes us THINK, and that's important.

22 of 25 people found the following review helpful.
An essential bit of theater.
By Marc A. Coignard
John Guare has created a witty, creative, funny, and tragic play with his SIX DEGREES OF SEPERATION, based upon the true story of a wealthy Manhattan couple who are fooled into allowing a con-man who claims to be a friend of their Harvard children, and the son of actor Sideny Potier into their home. Paul, the con-man in question, is a homosexual who has previously seduced a lover into telling him secrets about people in this upper-class Manahatten community. Paul even goes so far as to stabbing himself and claiming that he was mugged for his briefcase.
Mr. guare has adapted this story to the playbook with astoinding creativity and brilliance. His characters grow and learn with each passing scene. Mr. Guare is an incredible author who has built a beautiful world on the stage. I can't imagine how wonderful a sight this must be when seen live. SIX DEGREES OF SEPERATION is essential when studying or performing modern theater. Nothing this decade has stood out as much as this play.

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[O344.Ebook] Ebook Download Karezza: Ethics of Marriage, by Alice B. Stockham

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Karezza: Ethics of Marriage, by Alice B. Stockham

  • Published on: 1987-10-01
  • Format: Import
  • Original language: English
  • Binding: Paperback
  • 40 pages

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Saturday, July 13, 2013

[L277.Ebook] Download Creative Activities and Curriculum for Young Children (Creative Activities for Young Children), by Mary Mayesky

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Creative Activities and Curriculum for Young Children (Creative Activities for Young Children), by Mary Mayesky

CREATIVE ACTIVITIES AND CURRICULUM FOR YOUNG CHILDREN, 11th Edition, is filled with fun, creative, and easy-to implement activities for young children. You'll be encouraged to exercise your own creativity as well as learn how to help young children do the same. Hundreds of activities, up-to-date research, recipes, finger plays, information on how to select children's books, and more make this book an invaluable resource for you and others planning to work creatively with children across the curriculum. This is a book you'll want to use throughout your professional career.

  • Sales Rank: #53311 in Books
  • Published on: 2014-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 8.40" w x 10.80" l, 2.65 pounds
  • Binding: Paperback
  • 624 pages

Review
"This text provides an in-depth look into the world of creativity, including everything from the definition to activity examples to be used in your classroom."

"This text is a valuable resource in assisting prospective teachers with the skills and knowledge to foster creativity in the early childhood development curriculum."

About the Author
Mary Mayesky, Ph.D., is a certified preschool, elementary, and secondary teacher. She is a former professor in the Program in Education at Duke University, former director of the Early Childhood Certification Program, and supervisor of student teachers. She has served as assistant director for programs in the Office of Day Services, Department of Human Resources, State of North Carolina. She is also the former principal of the Mary E. Phillips Magnet School in Raleigh, North Carolina, the first licensed extended day magnet in the Southeast. She has served several terms on the North Carolina Day Care Commission and on the Wake County School Board. Dr. Mayesky has worked in Head Start, child care, kindergarten, and YWCA early childhood programs and has taught kindergarten through grade 8 in the public schools. She has written extensively for professional journals and for general-circulation magazines in the areas of child development and curriculum design. She is a member of Phi Beta Kappa and was named Woman of the Year in Education by the North Carolina Academy of the YWCA. Her other honors include being named Outstanding Young Educator by the Duke University Research Council, receiving the American Association of School Administrators Research Award, and being nominated for the Duke University Alumni Distinguished Undergraduate Teaching Award.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good for a used book too
By Monica L.
Promptly arrived. The book has a good amount of ideas AND I enjoy that it isn't hard to digest. It was used for a class I took and I was able to understand the concepts.

0 of 0 people found the following review helpful.
educ book
By Regina Haynes-Wright
This book is really good. I am taking an education course and this book helps with my assignments. It also gives me ideas on activities and other things to use in my future classroom.

0 of 0 people found the following review helpful.
Great Book Just what I was looking for!!!
By carebear5577
The book came on time and it was in the condition stated on the website. It is for school,and just what I needed for one of my early childhood classes. And also I love how it breaks the topics down. Very informative.Thank you very much I appreciate your service.

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Thursday, July 11, 2013

[Z548.Ebook] Ebook Download Beer: Tap into the Art and Science of Brewing, by Charles Bamforth

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Beer: Tap into the Art and Science of Brewing, by Charles Bamforth

Written by one of the world's leading authorities and hailed by American Brewer as "brilliant" and "by a wide margin the best reference now available," Beer offers an amusing and informative account of the art and science of brewing, examining the history of brewing and how the brewing process has evolved through the ages. The third edition features more information concerning the history of beer especially in the United States; British, Japanese, and Egyptian beer; beer in the context of health and nutrition; and the various styles of beer. Author Charles Bamforth has also added detailed sidebars on prohibition, Sierra Nevada, life as a maltster, hopgrowing in the Northwestern U.S., and how cans and bottle are made. Finally, the book includes new sections on beer in relation to food, contrasting attitudes towards beer in Europe and America, how beer is marketed, distributed, and retailed in the US, and modern ways of dealing with yeast.

  • Sales Rank: #372096 in Books
  • Published on: 2009-04-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x 1.10" w x 9.30" l, 1.25 pounds
  • Binding: Hardcover
  • 239 pages

Review

"This excellent book...is a good read for anyone interested in the science of beer or its consumption."--Chemistry World


"Bamforth is an engaging writer and truly knows his brewing. If you're a home brewer, a commercial brewer or a beer fan who wants a comprehensive book on brewing, look no further."--The Oregonian


Reviews of the 2nd Edition:


"Brilliant! There has been an unfilled market for this type of book. . . . Happily, this book . . .is by a wide margin the best reference now available . . . The book is very well written. It has a light, almost breezy style that is mixed with a subtle yet attractively understated British wit. It is above all a great read that is hard to put down. The strongest part of this book is the discussion of the brewing process. . . . In summary, Beer: Tap into the Art and Science of Brewing is a brilliant achievement that nontechnical people will find accessible and quite valuable. It is also highly recommended for technical people because it does show how the art and science of brewing can be communicated effectively to a wider audience." -- American Brewer


"The authoritative, clear and easily understood description of a complex, technical, and sometimes mysterious subject is the book's greatest value."--Choice


About the Author

Charles Bamforth is Chair of the Department of Food Science & Technology and Anheuser-Busch Endowed Professor of Malting & Brewing Sciences at the University of California, Davis

Books by same author Bamforth, Charles. Scientific Principles of Malting and Brewing Amer. Assn. of Cereal Chemists, 2006. $79.95. 256 pp. Bamforth, Charles. Beer: Health and Nutrition, Charles W. Bamforth, Wiley-Blackwell: 2004. $158.99. 200 pp. Bamforth, Charles. Beer: Tap Into the Art and Science of Brewing 2e. New York: OUP, 2003. $27.95. 256 pp. LTD: 5,047 Bamforth, Charles. Standards of Brewing. Brewers Publications, 2002. $39.95. 250 pp.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Amazing Book
By J.Lee
I bought this book because I took the course taught by the author of the book, Professor Charles Bamforth aka "Good Evening Charles." While I loved the class immensely, the book was a bit more difficult to love. The book itself attempts to be as humorous as Prof. Bamforth and while it does have a humorous tone, it sadly falls short. However, for what it lacks in Prof. Bamforth's colorful personality, it is extremely informative, with detailed explanations of every step in the the brewing process from the growing of the grains to the bottling and distribution. He also includes lots of information about current brewing powerhouses and cultural drinking trends because he does have personal relationships with Dan Gordon of Gordon Biersch and Ken Grossman of Sierra Nevada, both of whom give guest lectures every quarter. Even if you don't plan to go into the brewing business, this is a very good book.

1 of 1 people found the following review helpful.
Thank you, Charlie!
By Maggie
I'm a home brewer and an aspiring microbrewer. This book delivers an overview of brewing science in a readable and understandable manner. It is fun to read, especially if you are passionate about brewing. You should read this book if you are a serious home brewer or if you make a living off of beer. It will provide you knowledge to make and speak better beer.

1 of 1 people found the following review helpful.
I personally really enjoyed reading it
By Amazon Customer
Bought this for my intro to brewing and beer class! I personally really enjoyed reading it! If you're interested in beer, it's​ worth the read!

See all 26 customer reviews...

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Monday, July 8, 2013

[U846.Ebook] Download PDF You Got This Guided Journal and Colouring Book: For Dissolving Doubt and Bolstering Your Capacity to Believe in Yourself, by Ms Andrea Sch

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You Got This Guided Journal and Colouring Book: For Dissolving Doubt and Bolstering Your Capacity to Believe in Yourself, by Ms Andrea Sch

Self-Doubt can be a real dream killer - but it doesn't have to be! When you face your feelings and work through them, you can transform self doubt into self belief - and set yourself free.


This guided journal and colouring book will show you the way, using journaling prompts to help you sort out your feelings, inspiration mandalas, and energy healing processes to help you shift out of self-doubt and into self-belief.


This book is 100% hand-drawn - the whole thing is delightfully wonky to inspire your creative spirit out to play. It is a guided journal with doodles for you to color in while you think about the journaling prompts. I did it this way because in my years of teaching journaling classes I found that giving my students something to color helped them dig deeper into the journaling process, which helped them get more out of it - this is want I want for you too, as you explore this book.


It's printed on regular paperback book paper - it will work best with pencil crayons and regular pens or VERY thin markers. Thicker markers will bleed through.

  • Sales Rank: #745615 in Books
  • Published on: 2017-02-10
  • Original language: English
  • Dimensions: 10.00" h x .29" w x 8.00" l,
  • Binding: Paperback
  • 126 pages

About the Author
Andrea Schroeder is an artist, life coach, and founder of the Creative Dream Incubator, a website where creative people go to make their dreams real.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Color, Break Through Obstacles, Think Creatively
By Yari Garcia/Moody Thursday
This coloring book engages all your senses to help you achieve your goals! You don't just color, you also think through obstacles, undo blocks, and dissipate doubt. This book is full of prompts to get your mind going, and it truly motivates you to work on your dreams!

1 of 1 people found the following review helpful.
Love It, and Am Buying Another for a Friend!
By Amazon Customer
I am so happy with this coloring book! Andrea's approachable, practical, yet inspiring approach to self-care and life enrichment shine through in the hand-drawn design and deep-yet-doable journal prompts. This book is perfect for calming my restlessness, and helps me relax, yet not numb out. My favorite adult coloring book!!

0 of 0 people found the following review helpful.
Wonderful Book for the Creative Journey!!
By Amazon Customer
I love this book!! I've been following Andrea on her website Creative Dream Incubator and I'm so glad to have a book by her!
I enjoy coloring her unique drawings and writing the thinking about her journaling prompts, which help clear away negativity and anything else
standing in the way of the reader working toward and achieving our creative dreams. The pages are printed on one side only, so that is great for using markers. Also more room to write! Thanks for this great book!!

See all 7 customer reviews...

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Saturday, July 6, 2013

[O407.Ebook] Ebook Download Legend, by Marie Lu

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Legend, by Marie Lu

"Legend doesn't merely survive the hype, it deserves it."

From the New York Times bestselling author of The Young Elites


What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic's wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic's highest military circles. Born into the slums, fifteen-year-old Day is the country's most wanted criminal. But his motives may not be as malicious as they seem.

From very different worlds, June and Day have no reason to cross paths - until the day June's brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family's survival, while June seeks to avenge Metias's death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.

Full of nonstop action, suspense, and romance, this novel is sure to move readers as much as it thrills.

  • Sales Rank: #1809 in Books
  • Brand: Speak
  • Published on: 2013-04-16
  • Released on: 2013-04-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .88" w x 5.50" l, .77 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Speak

Review
Praise for Marie Lu’s New York Times bestseller LEGEND: 

From USA TODAY:
"Marie Lu's dystopian novel is a Legend in the making."
 
From ENTERTAINMENT WEEKLY:
“Fine writing and excellent execution. Sequel, please!”

 
From THE NEW YORK TIMES:
“Legend doesn’t merely survive the hype, it deserves it.”
 
 
From USA TODAY:
“Marie Lu’s dystopian novel is a ‘Legend’ in the making.”
 
 
From THE LOS ANGELES TIMES:
“an action-packed love story full of inventive details.”
 
 
STARRED REVIEW from PUBLISHERS WEEKLY:
“Lu’s debut is a stunner. . . raises hopes high for the sequels to come. ”
 
 
STARRED REVIEW from KIRKUS REVIEWS:
 “A gripping thriller in dystopic future Los Angeles. This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes.”
 
 
STARRED REVIEW from BOOKLIST:
 “[D]elicious details keep pages turning . . . you’ve got the makings for a potent sequel.”
 
 
STARRED REVIEW from VOYA:
 “A fast-paced blend of action and science fiction (with only a hint of potential romance) means that this one will likely appeal to male and female readers alike.  Debut author Lu has managed a great feat—emulating a highly successful young adult series while staying true to her own voice. Legend will give Hunger Games fans something worthwhile to read.”
 
 
STARRED REVIEW from LIBRARY MEDIA CONNECTION:
 “This book stands out . . .”
 
 
FROM KAMI GARCIA, New York Times bestselling co-author of the Beautiful Creatures trilogy
“A romantic thriller set in a post-apocalyptic world where nothing is what it seems—Legend is impossible to put down and even harder to forget.”
 
 
FROM SARAH REES BRENNAN, author of The Demon Lexicon trilogy
“A compelling dystopic world, with diverse characters, high tension and political intrigue. [If] you liked the Hunger Games, you'll love this.” 

------------------------------------------------------------------------------------------------------

Don't miss the highly-anticipated sequel, PRODIGY!

Featured on ENTERTAINMENT WEEKLY’S MUST-LIST!
 

From THE LOS ANGELES TIMES:
“Marie Lu has beaten the curse with Prodigy. . . it has all the chivalry of Robin Hood and all the shine and grime of Blade Runner . . . The well-drawn worlds, political undercurrents and the believability of the characters make it all feel fresh . . . Lu proves that a Book 2 needn't play second fiddle, providing intrigue and deep pleasure all its own.”
 
 
From THE NEW YORK JOURNAL OF BOOKS: 
“. . . clear your calendar to allow yourself the luxury of reading this book in one or two sittings. You will be shaken . . .”
 
 
STARRED REVIEW from PUBLISHERS WEEKLY:
 “Lu opts for a high simmer of intrigue in her sequel to Legend…taut and insightful.”
 
 
STARRED REVIEW from SHELF AWARENESS:
“Stunning follow-up to Legend . . . The thrilling action and futuristic settings are sure to please fans of Divergent.”

About the Author
New York Times bestselling author Marie Lu (www.marielu.org) graduated from the University of Southern California and jumped into the video game industry, working for Disney Interactive Studios as a Flash artist. Now a full-time writer, she spends her spare time reading, drawing, playing Assassin’s Creed, and getting stuck in traffic. She lives in Los Angeles, California (see above: traffic), with one boyfriend, one Chihuahua mix, and two Pembroke Welsh corgis.

Excerpt. © Reprinted by permission. All rights reserved.
LOS ANGELES, CALIFORNIA

REPUBLIC OF AMERICA

POPULATION: 20,174,282

PART ONE

THE BOY

WHO WALKS IN THE LIGHT

MY MOTHER THINKS I’M DEAD.

Obviously I’m not dead, but it’s safer for her to think so.

At least twice a month, I see my Wanted poster flashed on the JumboTrons scattered throughout downtown Los Angeles. It looks out of place up there. Most of the pictures on the screens are of happy things: smiling children standing under a bright blue sky, tourists posing before the Golden Gate Ruins, Republic commercials in neon colors. There’s also anti-Colonies propaganda. “The Colonies want our land,” the ads declare. “They want what they don’t have. Don’t let them conquer your homes! Support the cause!”

Then there’s my criminal report. It lights up the JumboTrons in all its multicolored glory:

WANTED BY THE REPUBLIC

FILE NO: 462178-3233 “DAY”

-------------------------------------

WANTED FOR ASSAULT, ARSON, THEFT, DESTRUCTION OF MILITARY PROPERTY, AND HINDERING THE WAR EFFORT 200,000 REPUBLIC NOTES FOR INFORMATION LEADING TO ARREST

They always have a different photo running alongside the report. One time it was a boy with glasses and a head full of thick copper curls. Another time it was a boy with black eyes and no hair at all. Sometimes I’m black, sometimes white, sometimes olive or brown or yellow or red or whatever else they can think of.

In other words, the Republic has no idea what I look like. They don’t seem to know much of anything about me, except that I’m young and that when they run my fingerprints they don’t find a match in their databases. That’s why they hate me, why I’m not the most dangerous criminal in the country, but the most wanted. I make them look bad.

It’s early evening, but it’s already pitch-black outside, and the JumboTrons’ reflections are visible in the street’s puddles. I sit on a crumbling window ledge three stories up, hidden from view behind rusted steel beams. This used to be an apartment complex, but it’s fallen into disrepair. Broken lanterns and glass shards litter the floor of this room, and paint is peeling from every wall. In one corner, an old portrait of the Elector Primo lies faceup on the ground. I wonder who used to live here—no one’s cracked enough to let their portrait of the Elector sit discarded on the floor like that.

My hair, as usual, is tucked inside an old newsboy cap. My eyes are fixed on the small one-story house across the road. My hands fiddle with the pendant tied around my neck.

Tess leans against the room’s other window, watching me closely. I’m restless tonight and, as always, she can sense it.

The plague has hit the Lake sector hard. In the glow of the JumboTrons, Tess and I can see the soldiers at the end of the street as they inspect each home, their black capes shiny and worn loose in the heat. Each of them wears a gas mask. Sometimes when they emerge, they mark a house by painting a big red X on the front door. No one enters or leaves the home after that—at least, not when anyone’s looking.

“Still don’t see them?” Tess whispers. Shadows conceal her expression.

In an attempt to distract myself, I’m piecing together a makeshift slingshot out of old PVC pipes. “They haven’t eaten dinner. They haven’t sat down by the table in hours.” I shift and stretch out my bad knee.

“Maybe they’re not home?”

I shoot Tess an irritated glance. She’s trying to console me, but I’m not in the mood. “A lamp’s lit. Look at those candles. Mom would never waste candles if no one was home.”

Tess moves closer. “We should leave the city for a couple weeks, yeah?” She tries to keep her voice calm, but the fear is there. “Soon the plague will have blown through, and you can come back to visit. We have more than enough money for two train tickets.”

I shake my head. “One night a week, remember? Just let me check up on them one night a week.”

“Yeah. You’ve been coming here every night this week.”

“I just want to make sure they’re okay.”

“What if you get sick?”

“I’ll take my chances. And you didn’t have to come with me. You could’ve waited for me back in Alta.”

Tess shrugs. “Somebody has to keep an eye on you.” Two years younger than me—although sometimes she sounds old enough to be my caretaker.

We look on in silence as the soldiers draw closer to my family’s house. Every time they stop at a home, one soldier pounds on the door while a second stands next to him with his gun drawn. If no one opens the door within ten seconds, the first soldier kicks it in. I can’t see them once they rush inside, but I know the drill: a soldier will draw a blood sample from each family member, then plug it into a handheld reader and check for the plague. The whole process takes ten minutes.

I count the houses between where the soldiers are now and where my family lives. I’ll have to wait another hour before I know their fate.

A shriek echoes from the other end of the street. My eyes dart toward the sound and my hand whips to the knife sheathed at my belt. Tess sucks in her breath.

It’s a plague victim. She must’ve been deteriorating for months, because her skin is cracked and bleeding everywhere, and I find myself wondering how the soldiers could have missed this one during previous inspections. She stumbles around for a while, disoriented, then charges forward, only to trip and fall to her knees. I glance back toward the soldiers. They see her now. The soldier with the drawn weapon approaches, while the eleven others stay where they are and look on. One plague victim isn’t much of a threat. The soldier lifts his gun and aims. A volley of sparks engulfs the infected woman.

She collapses, then goes still. The soldier rejoins his comrades.

I wish we could get our hands on one of the soldiers’ guns. A pretty weapon like that doesn’t cost much on the market—480 Notes, less than a stove. Like all guns, it has precision, guided by magnets and electric currents, and can accurately shoot a target three blocks away. It’s tech stolen from the Colonies, Dad once said, although of course the Republic would never tell you that. Tess and I could buy five of them if we wanted. . . . Over the years we’ve learned to stockpile the extra money we steal and stash it away for emergencies. But the real problem with having a gun isn’t the expense. It’s that it’s so easy to trace back to you. Each gun has a sensor on it that reports its user’s hand shape, thumbprints, and location. If that didn’t give me away, nothing would. So I’m left with my homemade weapons, PVC pipe slingshots, and other trinkets.

“They found another one,” Tess says. She squints to get a better look.

I look down and see the soldiers spill from another house. One of them shakes a can of spray paint and draws a giant red X on the door. I know that house. The family that lives there once had a little girl my age. My brothers and I played with her when we were younger—freeze tag and street hockey with iron pokers and crumpled paper.

Tess tries to distract me by nodding at the cloth bundle near my feet. “What’d you bring them?”

I smile, then reach down to untie the cloth. “Some of the stuff we saved up this week. It’ll make for a nice celebration once they pass the inspection.” I dig through the little pile of goodies inside the bundle, then hold up a used pair of goggles. I check them again to make sure there are no cracks in the glass. “For John. An early birthday gift.” My older brother turns nineteen later this week. He works fourteen-hour shifts in the neighborhood plant’s friction stoves and always comes home rubbing his eyes from the smoke. These goggles were a lucky steal from a military supply shipment.

I put them down and shuffle through the rest of the stuff. It’s mostly tins of meat and potato hash I stole from an airship’s cafeteria, and an old pair of shoes with intact soles. I wish I could be in the room with all of them when I deliver this stuff. But John’s the only one who knows I’m alive, and he’s promised not to tell Mom or Eden.

Eden turns ten in two months, which means that in two months he’ll have to take the Trial. I failed my own Trial when I was ten. That’s why I worry about Eden, because even though he’s easily the smartest of us three boys, he thinks a lot like I do. When I finished my Trial, I felt so sure of my answers that I didn’t even bother to watch them grade it. But then the admins ushered me into a corner of the Trial stadium with a bunch of other kids. They stamped something on my test and stuffed me onto a train headed downtown. I didn’t get to take anything except the pendant I wore around my neck. I didn’t even get to say good-bye.

Several different things could happen after you take the Trial.

You get a perfect score—1500 points. No one’s ever gotten this—well, except for some kid a few years ago who the military made a goddy fuss over. Who knows what happens to someone with a score that high? Probably lots of money and power, yeah?

You score between a 1450 and a 1499. Pat yourself on the back because you’ll get instant access to six years of high school and then four at the top universities in the Republic: Drake, Stanford, and Brenan. Then Congress hires you and you make lots of money. Joy and happiness follow. At least according to the Republic.

You get a good score, somewhere between 1250 and 1449 points. You get to continue on to high school, and then you’re assigned to a college. Not bad.

You squeak by with a score between 1000 and 1249. Congress bars you from high school. You join the poor, like my family. You’ll probably either drown while working the water turbines or get steamed to death in the power plants.

You fail.

It’s almost always the slum-sector kids who fail. If you’re in this unlucky category, the Republic sends officials to your family’s home. They make your parents sign a contract giving the government full custody over you. They say that you’ve been sent away to the Republic’s labor camps and that your family will not see you again. Your parents have to nod and agree. A few even celebrate, because the Republic gives them one thousand Notes as a condolence gift. Money and one less mouth to feed? What a thoughtful government.

Except this is all a lie. An inferior child with bad genes is no use to the country. If you’re lucky, Congress will let you die without first sending you to the labs to be examined for imperfections.

Five houses remain. Tess sees the worry in my eyes and puts a hand on my forehead. “One of your headaches coming on?”

“No. I’m okay.” I peer in the open window at my mother’s house, then catch my first glimpse of a familiar face. Eden walks by, then peeks out the window at the approaching soldiers and points some handmade metal contraption at them. Then he ducks back inside and disappears from view. His curls flash white-blond in the flickering lamplight. Knowing him, he probably built that gadget to measure how far away someone is, or something like that.

“He looks thinner,” I mutter.

“He’s alive and walking around,” Tess replies. “I’d say that’s a win.”

Minutes later, we see John and my mother wander past the window, deep in conversation. John and I look pretty similar, although he’s grown a little stockier from long days at the plant. His hair, like most who live in our sector, hangs down past his shoulders and is tied back into a simple tail. His vest is smudged with red clay. I can tell Mom’s scolding him for something or other, probably for letting Eden peek out the window. She bats John’s hand away when a bout of her chronic coughing hits her. I let out a breath. So. At least all three of them are healthy enough to walk. Even if one of them is infected, it’s early enough that they’ll still have a chance to recover.

I can’t stop imagining what will happen if the soldiers mark my mother’s door. My family will stand frozen in our living room long after the soldiers have left. Then Mom will put on her usual brave face, only to sit up through the night, quietly wiping tears away. In the morning, they’ll start receiving small rations of food and water and simply wait to recover. Or die.

My mind wanders to the stash of stolen money that Tess and I have hidden. Twenty-five hundred Notes. Enough to feed us for months . . . but not enough to buy my family vials of plague medicine.

The minutes drag on. I tuck my slingshot away and play a few rounds of Rock, Paper, Scissors with Tess. (I don’t know why, but she’s crazy good at this game.) I glance several times at my mother’s window, but don’t see anyone. They must have gathered near the door, ready to open it as soon as they hear a fist against the wood.

And then the time comes. I lean forward on the ledge, so far that Tess grips my arm to make sure I don’t topple to the ground. The soldiers pound on the door. My mother opens it immediately, lets the soldiers in, and then closes it. I strain to hear voices, footsteps, anything that might come from my house. The sooner this is all over, the sooner I can sneak my gifts to John.

The silence drags on. Tess whispers, “No news is good news, right?”

“Very funny.”

I count off the seconds in my head. One minute passes. Then two, then four, and then finally, ten minutes.

Then fifteen minutes. Twenty minutes.

I look at Tess. She just shrugs. “Maybe their reader’s broken,” she suggests.

Thirty minutes pass. I don’t dare move from my vigil. I’m afraid something will happen so quickly that I’ll miss it if I blink. My fingers tap rhythmically against the hilt of my knife.

Forty minutes. Fifty minutes. An hour.

“Something’s wrong,” I whisper.

Tess purses her lips. “You don’t know that.”

“Yes I do. What could possibly take this long?”

Tess opens her mouth to reply, but before she can say anything, the soldiers are exiting my house, single file, expressionless. Finally, the last soldier shuts the door behind him and reaches for something tucked at his waist. I suddenly feel dizzy. I know what’s coming.

The soldier reaches up and sprays one long, red, diagonal line on our door. Then he sprays another line, making an X.

I curse silently under my breath and start to turn away—

—but then the soldier does something unexpected, something I’ve never seen before.

He sprays a third, vertical line on my mother’s door, cutting the X in half.

1347 HOURS.

DRAKE UNIVERSITY, BATALLA SECTOR.

72°F INDOORS.

I’M SITTING IN MY DEAN SECRETARY’S OFFICE. AGAIN. On the other side of the frosted glass door, I can see a bunch of my classmates (seniors, all at least four years older than me) hanging around in an attempt to hear what’s going on. Several of them saw me being yanked out of our afternoon drill class (today’s lesson: how to load and unload the XM-621 rifle) by a menacing pair of guards. And whenever that happens, the news spreads all over campus.

The Republic’s favorite little prodigy is in trouble again.

The office is quiet except for the faint hum coming from the dean secretary’s computer. I’ve memorized every detail of this room (hand-cut marble floors imported from Dakota, 324 plastic square ceiling tiles, twenty feet of gray drapes hanging to either side of the glorious Elector’s portrait on the office’s back wall, a thirty-inch screen on the side wall, with the sound muted and a headline that reads:“TRAITOROUS ‘PATRIOTS’ GROUP BOMBS LOCAL MILITARY STATION, KILLS FIVE” followed by “REPUBLIC DEFEATS COLONIES IN BATTLE FOR HILLSBORO”). Arisna Whitaker, the dean secretary herself, is seated behind her desk, tapping on its glass—no doubt typing up my report. This will be my eighth report this quarter. I’m willing to bet I’m the only Drake student who’s ever managed to get eight reports in one quarter without being expelled.

“Injured your hand yesterday, Ms. Whitaker?” I say after a while.

She stops typing to glare at me. “What makes you think that, Ms. Iparis?”

“The pauses in your keystrokes are off. You’re favoring your left hand.”

Ms. Whitaker sighs and leans back in her chair. “Yes, June. I twisted my wrist yesterday in a game of kivaball.”

“Sorry to hear it. You should try to swing more from your arm and not from your wrist.”

I’d meant this simply to be a statement of fact, but it sounded sort of taunting and doesn’t seem to have made her any happier. “Let’s get something straight, Ms. Iparis,” she says. “You may think you’re very smart. You may think your perfect grades earn you some sort of special treatment. You may even think you have fans at this school, what with all this nonsense.” She gestures at the students gathered outside the door. “But I’ve grown incredibly tired of our get-togethers in my office. And believe me, when you graduate and get assigned to whatever post this country chooses for you, your antics won’t impress your superiors there. Do you understand me?”

I nod, because that’s what she wants me to do. But she’s wrong. I don’t just think I’m smart. I’m the only person in the entire Republic with a perfect 1500 score on her Trial. I was assigned here, to the country’s top university, at twelve, four years ahead of schedule. Then I skipped my sophomore year. I’ve earned perfect grades at Drake for three years. I am smart. I have what the Republic considers good genes—and better genes make for better soldiers make for better chance of victory against the Colonies, my professors always say. And if I feel like my afternoon drills aren’t teaching me enough about how to climb walls while carrying weapons, then . . . well, it wasn’t my fault I had to scale the side of a nineteen-story building with a XM-621 gun strapped to my back. It was self-improvement, for the sake of my country.

Rumor has it that Day once scaled five stories in less than eight seconds. If the Republic’s most-wanted criminal can pull that off, then how are we ever going to catch him if we’re not just as fast? And if we can’t even catch him, how are we going to win the war?

Ms. Whitaker’s desk beeps three times. She holds down a button. “Yes?”

“Captain Metias Iparis is outside the gate,” a voice replies. “He’s here for his sister.”

“Good. Send him in.” She releases the button and points a finger at me. “I hope that brother of yours starts doing a better job of minding you, because if you end up in my office one more time this quarter—”

“Metias is doing a better job than our dead parents,” I reply, maybe more sharply than I intended.

We fall into an uncomfortable silence.

Finally, after what seems like an eternity, I hear a commotion out in the hall. The students pressed against the door’s glass abruptly disperse, and their shadows move aside to make room for a tall silhouette. My brother.

As Metias opens the door and steps inside, I can see some girls out in the hall stifling smiles behind their hands. But Metias fixes his full attention on me. We have the same eyes, black with a gold glint, the same long lashes and dark hair. The long lashes work particularly well for Metias. Even with the door closed behind him, I can still hear the whispers and giggles from outside. It looks like he came from his patrol duties straight to my campus. He’s decked out in his full uniform: black officer coat with double rows of gold buttons, gloves (neoprene, spectra lining, captain rank embroidery), shining epaulettes on his shoulders, formal military hat, black trousers, polished boots. My eyes meet his.

He’s furious.

Ms. Whitaker gives Metias a brilliant smile. “Ah, Captain!” she exclaims. “It’s a pleasure to see you.”

Metias taps the edge of his hat in a polite salute. “It’s unfortunate it’s under these circumstances again,” he replies. “My apologies.”

“Not a problem, Captain.” The dean secretary waves her hand dismissively. What a brownnoser—especially after what she’d just said about Metias. “It’s hardly your fault. Your sister was caught scaling a high-rise during her lunch hour today. She’d wandered two blocks off campus to do it. As you know, students are to use only the climbing walls on campus for physical training, and leaving the campus in the middle of the day is forbidden—”

“Yes, I’m aware of that,” Metias interrupts, looking at me out of the corner of his eye. “I saw the helicopters over Drake at noon and had a . . . . suspicion June might’ve been involved.”

There’d been three helicopters. They couldn’t get me off the side of the building by scaling it themselves, so they pulled me off with a net.

“Thank you for your help,” Metias says to the dean secretary. He snaps his fingers at me, my cue to get up. “When June returns to campus, she’ll be on her best behavior.”

I ignore Ms. Whitaker’s false smile as I follow my brother out of the office and into the hall. Immediately students hurry over. “June,” a boy named Dorian says as he tags alongside us. He’d asked me (unsuccessfully) to the annual Drake ball two years in a row. “Is it true? How high up did you get?”

Metias cuts him off with a stern look. “June’s heading home.” Then he puts a hand firmly on my shoulder and guides me away from my classmates. I glance behind me and manage a smile for them.

“Fourteen floors,” I call back. That gets them buzzing again. Somehow, this has become the closest relationship I have with the other Drake students. I am respected, discussed, gossiped about. Not really talked to.

Such is the life of a fifteen-year-old senior in a university meant for sixteen and up.

Metias doesn’t say another word as we make our way down the corridors, past the manicured lawns of the central quad and the glorious Elector’s statue, and finally through one of the indoor gyms. We pass by the afternoon drills I’m supposed to be participating in. I watch my classmates run along a giant track surrounded by a 360-degree screen simulating some desolate warfront road. They’re holding their rifles out in front of them, attempting to load and unload as fast as they can while running. At most other universities, there wouldn’t be so many student soldiers, but at Drake, almost all of us are well on our way to career assignments in the Republic’s military. A few others are tapped for politics and Congress, and some are chosen to stay behind and teach. But Drake is the Republic’s best university, and seeing as how the best are always assigned into the military, our drill room is packed with students.

By the time we reach one of Drake’s outer streets and I climb into the backseat of our waiting military jeep, Metias can barely contain his anger. “Suspended for a week? Do you want to explain this to me?” he demands. “I get back from a morning of dealing with the Patriot rebels and what do I hear about? Helicopters two blocks from Drake. A girl scaling a skyscraper.”

I exchange a friendly look with Thomas, the soldier in the driver’s seat. “Sorry,” I mutter.

Metias turns around from his place in the passenger seat and narrows his eyes at me. “What the hell were you thinking? Did you know you’d wandered right off campus?”

“Yes.”

“Of course. You’re fifteen. You went fourteen floors up a—” He takes a deep breath, closes his eyes, and steadies himself. “For once, I’d appreciate it if you would let me do my daily tours of duty without worrying myself sick over what you’re up to.”

I try to meet Thomas’s eyes again in the rearview mirror, but he keeps his gaze on the road. Of course, I shouldn’t expect any help from him. He looks as tidy as ever, with his perfectly slicked hair and perfectly ironed uniform. Not a strand or thread out of place. Thomas might be several years younger than Metias and a subordinate on his patrol, but he’s more disciplined than anyone I know. Sometimes I wish I had that much discipline. He probably disapproves of my stunts even more than Metias does.

We leave downtown Los Angeles behind and travel up the winding highway in silence. The scenery changes from inner Batalla sector’s hundred-floor skyscrapers to densely packed barrack towers and civilian complexes, each one only twenty to thirty stories high, with red guiding lights blinking on their roofs, most with all their paint stripped off after this year’s rash of storms. Metal support beams crisscross their walls. I hope they get to upgrade those supports soon. The war’s been intense lately, and with several decades of infrastructure funding diverted to supplying the warfront, I don’t know if these buildings would hold up well in another earthquake.

After a few minutes, Metias continues in a calmer voice. “You really scared me today,” he says. “I was afraid they’d mistake you for Day and shoot at you.”

I know he doesn’t mean this as a compliment, but I can’t help smiling. I lean forward to rest my arms on top of his seat. “Hey,” I say, tugging his ear the way I did when I was a kid, “I’m sorry I made you worry.”

He lets out a scornful chuckle, but I can tell his anger is already fading. “Yeah. That’s what you say every time, Junebug. Is Drake not keeping your brain busy enough? If not, then I don’t know what will.”

“You know . . . if you’d just take me along on some of your missions, I’d probably learn a lot more and stay out of trouble.”

“Nice try. You’re not going anywhere until you graduate and get assigned to your own patrol.”

I bite my tongue. Metias did pick me once—once—for a mission last year, when all third-year Drake students had to shadow an assigned military branch. His commander sent him to kill a runaway prisoner of war from the Colonies. So Metias brought me along with him, and together we chased the POW deeper and deeper into our territory, away from the dividing fences and the strip of land running from Dakota to West Texas that separates the Republic and the Colonies, away from the warfront where airships dot the sky. I tracked him into an alley in Yellowstone City, Montana, and Metias shot him.

During the chase, I broke three ribs and had a knife buried in my leg. Now Metias refuses to take me anywhere.

When Metias finally speaks again, he sounds grudgingly curious. “So, tell me,” he whispers. “How fast did you climb those fourteen stories?”

Thomas makes a disapproving sound in his throat, but I break into a grin. Storm’s past. Metias loves me again. “Six minutes,” I whisper back to my brother. “And forty-four seconds. How do you like that?”

“That must be some sort of record. Not that, you know, you’re supposed to do it.”

Thomas stops the jeep right behind the lines at a red light and gives Metias an exasperated look. “Come on, Captain,” he says. “June—ah—Ms. Iparis won’t learn a thing if you keep praising her for breaking the rules.”

“Cheer up, Thomas.” Metias reaches over and claps him on the back. “Surely breaking a rule once in a while is tolerable, especially if you’re doing it to beef up your skills for the Republic’s sake. Victory against the Colonies. Right?”

The light blinks green. Thomas turns his eyes back to the road (he seems to count to three in his head before letting the jeep go forward). “Right,” he mutters. “You should still be careful what you’re encouraging Ms. Iparis to do, especially with your parents gone.”

Metias’s mouth tightens into a line, and a familiar, strained look appears in his eyes.

No matter how sharp my intuition is, no matter how well I do at Drake or how perfectly I score in defense and target practice and hand-to-hand combat, Metias’s eyes always hold that fear. He’s afraid something might happen to me one day—like the car crash that took our parents. That fear never leaves his face. And Thomas knows it.

I didn’t know our parents long enough to miss them in the same way Metias does. Whenever I cry over losing them, I cry because Idon’t have any memories of them. Just hazy recollections of long, adult legs shuffling around our apartment and hands lifting me from my high chair. That’s it. Every other memory from my childhood—looking out into the auditorium as I receive an award, or having soup made for me when I’m sick, or being scolded, or tucked into bed—those are with Metias.

We drive past half of Batalla sector and through a few poor blocks. (Can’t these street beggars stay a little farther from our jeep?) Finally we reach the gleaming, terraced high-rises of Ruby, and we’re home. Metias gets out first. As I follow, Thomas gives me a small smile.

“See you later, Ms. Iparis,” he says, tipping his hat.

I stopped trying to convince him to call me June—he’ll never change. Still, it’s not so bad being called something proper. Maybe when I’m older and Metias doesn’t faint at the idea of me dating . . .

“Bye, Thomas. Thanks for the ride.” I smile back at him before stepping out of the jeep.

Metias waits until the door has slammed shut before turning to me and lowering his voice. “I’ll be home late tonight,” he says. There’s that tension in his eyes again. “Don’t go out alone. News from the warfront is they’re cutting power to residences tonight to save energy for the airfield bases. So stay put, okay? The streets’ll be darker than usual.”

My heart sinks. I wish the Republic would hurry up and win this war already so that for once we might actually get a whole month of nonstop electricity. “Where are you going? Can I come with you?”

“I’m overseeing the lab at Los Angeles Central. They’re delivering vials of some mutated virus there—it shouldn’t take all night. And I already told you no. No missions.” Metias hesitates. “I’ll be home as early as I can. We have a lot to talk about.” He puts his hands on my shoulders, ignores my puzzled look, and gives me a quick kiss on my forehead. “Love you, Junebug,” he says, his trademark good-bye. He turns to climb back into the jeep.

“I’m not going to wait up for you,” I call after him, but by now he’s already inside and the jeep’s pulling away with him inside of it. “Be careful,” I murmur.

But it’s pointless to say now. Metias is too far away to hear me.

WHEN I WAS SEVEN YEARS OLD, MY FATHER CAME home from the warfront for a week’s leave. His job was to clean up after the Republic’s soldiers, so he was usually gone, and Mom was left to raise us boys on her own. When he came home that time, the city patrols did a routine inspection of our house, then dragged Dad off to the local police headquarters for questioning. They’d found something suspicious, I guess.

The police brought him back with two broken arms, his face bloody and bruised.

Several nights later, I dipped a ball of crushed ice into a can of gasoline, let the oil coat the ice in a thick layer, and lit it. Then I launched it with a slingshot through the window of our local police headquarters. I remember the fire trucks that came whizzing around the corner shortly thereafter, and the charred remains of the police building’s west wing. They never found out who did it, and I never came forward. There was, after all, no evidence. I had committed my first perfect crime.

My mother used to hope that I would rise up from my humble roots. Become someone successful, or even famous.

I’m famous all right, but I don’t think it’s what she had in mind.

It’s nightfall again, a good forty-eight hours since the soldiers marked my mother’s door.

I wait in the shadows of a back alley one block from the Los Angeles Central Hospital and watch its staff spill in and out of the main entrance. It’s a cloudy night with no moon, and I can’t even make out the crumbling Bank Tower sign at the top of the building. Electric lights shine from each floor—a luxury only government buildings and the elite’s homes can afford. Military jeeps stack up along the street as they wait for approval to enter the underground parking lots. Someone checks them for proper IDs. I keep still, my eyes fixed on the entrance.

I look pretty awesome tonight. I’m wearing my good pair of shoes—boots made of dark leather worn soft over time, with strong laces and steel toes. Bought them with 150 Notes from our stash. I’ve hidden a knife flat against the sole of each boot. When I shift my feet, I can feel the cool metal against my skin. My black trousers are tucked into my boots and I carry a pair of gloves and a black handkerchief in my pockets. A dark, long-sleeved shirt is tied around my waist. My hair hangs loose down my shoulders. This time I’ve sprayed my white-blond strands a deep black, as if I’d dipped them in crude oil. Earlier in the day, Tess had traded five Notes for a bucket of pygmy pig’s blood from the back alley of a kitchen. My arms, stomach, and face are smeared with it. I’ve also streaked mud on my cheeks, for good measure.

The hospital spans the first twelve floors of the building, but I’m only interested in the one without windows. That’s the third floor, a laboratory, where the blood samples and medicines will be. From the outside, the third floor is completely hidden behind elaborate stone carvings and worn Republic flags. Behind the facade lies a vast floor with no halls and no doors—just a gigantic room, doctors and nurses behind white masks, test tubes and pipettes, incubators and gurneys. I know this because I’ve been there before. I was there the day I failed my Trial, the day I was supposed to die.

My eyes scan the side of the tower. Sometimes I can break into a building by running it from the outside, if there are balconies to leap from and window ledges to balance on. I once scaled a four-story building in less than five seconds. But this tower is too smooth, with no footholds. I’ll have to reach the lab from inside. I shiver a little even in the warmth and wish I’d asked Tess to come with me. But two trespassers are easier to catch than one. Besides, it’s not her family who needs medicine. I check to make sure I’ve tucked my pendant beneath my shirt.

A lone medic truck pulls up behind the military jeeps. Several soldiers climb out and greet the nurses while others unpack the truck’s boxes. The leader of the group is a young, dark-haired man dressed all in black, except for two rows of silver buttons that line his officer jacket. I strain to hear what he’s saying to one of the nurses.

“—from around the lake’s edge.” The man tightens his gloves. I catch a glimpse of the gun at his belt. “My men will be at the entrances tonight.”

“Yes, Captain,” the nurse says.

The man tips his cap to her. “My name’s Metias. If you have any questions, come see me.”

I wait until the soldiers have spread out around the hospital’s perimeter and the man named Metias has immersed himself in conversation with two of his men. Several more medic trucks come and go, dropping off soldiers, some with broken limbs, some with gashes on their heads or lacerations on their legs. I take a deep breath, then step out of the shadows and stumble toward the hospital’s entrance.

A nurse spots me first, just outside the main doors. Her eyes dart to the blood on my arms and face. “Can I be admitted, cousin?” I call to her. I wince in imaginary pain. “Is there still room tonight? I can pay.”

She looks at me without pity before she returns to scribbling on a notepad. Guess she doesn’t appreciate the “cousin” affection. An ID tag dangles from her neck. “What happened?” she asks.

I double over when I reach her and lean on my knees. “Was in a fight,” I say, panting. “I think I got stabbed.”

The nurse doesn’t look at me again. She finishes writing and then nods at one of the guards. “Pat him down.”

I stay where I am as two soldiers check me for weapons. I yelp on cue when they touch my arms or stomach. They don’t find the knives tucked in my boots. They do take the little pouch of Notes tied to my belt, my payment for entering the hospital. Of course.

If I was a goddy rich sector boy, I’d be admitted without charge. Or they’d send a doctor for free straight up to where I live.

When the soldiers give the nurse a thumbs-up, she points me toward the entrance. “Waiting room’s on the left. Have a seat.”

I thank her and stumble toward the sliding doors. The man named Metias watches me as I pass. He’s listening patiently to one of his soldiers, but I see him study my face as if out of habit. I make a mental note of his face too.

The hospital is ghostly white on the inside. To my left I see the waiting room, just like the nurse said, a huge space packed with people sporting injuries of all shapes and sizes. Many of them moan in pain—one person lies unmoving on the floor. I don’t want to guess how long some of them have been here, or how much they had to pay to get in. I note where all the soldiers are standing—two by the secretary’s window, two by the doctor’s door far in the distance, several near the elevators, each wearing ID tags—and then I drop my eyes to the floor. I shuffle to the closest chair and sit. For once, my bad knee helps my disguise. I keep my hands pressed against my side for good measure.

I count ten minutes off in my head, long enough so that new patients have arrived in the waiting room and the soldiers are less interested in me. Then I stand up, pretend to stumble, and lurch toward the closest soldier. His hand reflexively moves to his gun.

“Sit back down,” he says.

I trip and fall against him. “I need the bathroom,” I whisper, my voice hoarse. My hands tremble as I grab his black robes for balance. The soldier looks at me in disgust while some of the others snicker. I see his fingers creep closer to his gun’s trigger, but one of the other soldiers shakes his head. No shooting in the hospital. The soldier pushes me away and points toward the end of the hall with his gun.

“Over there,” he snaps. “Wipe some of that filth off your face. And if you touch me again, I’ll fill you with bullets.”

Most helpful customer reviews

3 of 3 people found the following review helpful.
4 stars
By MC
I found Legend to be very enjoyable, but it didn't blow me away. I found the plot to be a bit boring at first, so it took me a while to get interested in the book. The pace did eventually pick up, though, and I found myself not wanting to put the book down. By the end, I was completely hooked. I also thought the world that Marie Lu created was really interesting, but I wish she had provided more history about how it came to be. The story takes place in our future, and the Eastern and Western United States are at war. We don't get to learn how the United States ended up that way, though, and I think that would have been an interesting story.

I really enjoyed the characters of Day and June, as well as the supporting cast of characters. It took me a while to get invested, but I eventually grew to really care for them and their story. Something that I particularly appreciated was the way the romance was handled. June and Day definitely became enamored with one another, but I didn't feel like there was any instalove at all. The romance was developed well and was relatively believable. And there wasn't a love triangle! Yay! I am not a huge fan of romance, so the way this one was handled made it much more enjoyable for me.

My biggest gripe about Legend was how easy the plot was at times. The characters would encounter clues and then immediately figure them out without any trouble. Everything was a bit too convenient and predictable. The book wasn't incredibly long, so I feel like there was room for a little extra development within the plot. Even a paragraph here and there with the characters trying to interpret the clues could have made a big difference. While I enjoyed the story, every time the characters figured out a clue immediately, I had to roll my eyes a bit.

3 of 3 people found the following review helpful.
Love love loved this book!
By Adrianna
Ah, Legend. I read this voraciously and quickly. I just didn’t want to stop—of course, I had to though. I wish I could just read all the time. Alas, this is the real world and sometimes I get busy. Anyways. Legend is my favorite dystopia. What?!—you say. It’s true. Me and dystopia haven’t had a good relationship, *hint* The Hunger Games *hint.* Well I’m like the only person who didn’t like The Hunger Games.

Seriously, go read this book. Okay? Okay.

One thing I loved most about this book was that it was jam packed with action. There was never a moment in the whole entire book were I was bored. Not one freaking moment. In around 85% of books I’ve read, there’s been a moment were I was bored. That, however, is only an estimation so I can’t say for sure. But there is a lot of books were I’ve been bored. So this is amongst the small minority which definitely means you need to read this book.

Another aspect that I really enjoyed was the world in itself. I found it really intriguing. It wasn’t just a simple world. It was actually really complex yet quite easy to understand. I’m not sure if that makes sense. Whatever. I loved the whole trial thing when you’re 10. That was cool. The secrets the government hidden were shocking and I didn’t see them coming which brings me onto my next point.
There was a large amount of freaking plot twists. Legit. I did not expect, like, any of this to happen. Plot twists are a rariety among books so I definitely applaud Ee for that.

June was a great character; Day too. The characters were really likeable and fun to read about. They were realistic and three-dimensional. That’s really important to me. The characters need to be three-dimensional.

Although, sadly, there were some things that didn’t work. However they’re only minor things which hold the book from truly being 5 stars.

Firstly, like most other people, I agree that June’s and Day’s POV sound too similar. They aren’t really distinguishable. Now I say “really” because there are some parts were it’s obvious as to whose pov it is because of names and stuff; but overall, the style of writing is the same for both characters and it shouldn’t be that way. Right?

Secondly, I think the book could’ve been a little bit longer. In my opinion, it was too short. Susan could have dragged it out slightly, I don’t know. I think it would have been more effective if she did it this way.

That’s all I have to say really. I definitely recommend it and it’s one of my favorite books along with it being my favorite dystopian novel. Peace out.

0 of 0 people found the following review helpful.
I didn't want to read it but....
By kales
For the longest time I did not want to read this book because:
-it’s another dystopian novel
-there are 16 year old kids saving the world
-not one person recommended it (“Well, I heard it was good…)

But that all changed when my best friend read it and could not stop raving about it, so I was willing to give it a try.

AND IT WAS AMAZING.

There was action and emotion, sly humor and some deep thinking.

IT WAS WONDERFUL.

The story flops back and forth between two well developed characters.

Day was is supposed to be dead, but is instead playing Robin Hood and driving the country’s army insane because no one can catch him. He’s fast, nimble and smart.

Then there is June who is at the top of her class; well, actually at the top of the college, really. She is ready to enter the military and she will catch Day. The only thing standing in her way is her extremely over protective brother. But that’s not going to last for long.

The story is set in the future in Los Angeles, California. But our Golden State is no longer part of the United States of America. In fact out country is no longer one country. It’s two countries, the Republic of America and The Colonies, and they are at war with each other.

Day wishes to leave the Republic with his family and live in the Colonies in peace.

June wants to aid her country in winning the war against the Colonies, but to her that means getting rid of the country’s most wanted criminal, Day.

Want to know more? Good. Go read the book.

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