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Beautiful And Damned, by Robert M. Drake
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With the same heartwarming composition and genius Robert M. Drake brought to his international bestselling books Beautiful Chaos, Black Butterfly and A Brilliant Madness, Robert M. Drake now takes his readers to a deeper level of his consciousness with this collection of stories. A man encounters God in a bar; a family is saved by a time traveler in the middle of the night; a journey into the mind of a severely autistic man; a woman finds herself one night out in the city and more. Beautiful and Damned is as haunting and as captivating as the stories it tells, it is proof that Robert M. Drake is one of the most visionary writers working today.
- Sales Rank: #35989 in Books
- Published on: 2016-04-22
- Original language: English
- Dimensions: 8.02" h x .81" w x 5.70" l, 1.21 pounds
- Binding: Paperback
- 322 pages
From Library Journal
How can a reader not lose patience with Anthony and Gloria Patch, the "beautiful couple," as they squander their money, idle away their days, and drink themselves into blissful oblivion? Although the obvious parallel between the fictional Patches and the real-life Fitzgeralds is somewhat intriguing, anyone reading the book would be sorely tempted to close it long before the final scenes of degradation. Not so, however, with the audiobook. Peter Marinker's sympathetic narration is so effective that the listener, gradually and almost reluctantly, begins to feel a measure of compassion for Gloria and Anthony-almost as if they are naive children who can't understand what is happening to them or why. Marinker's rendition of Gloria's soft voice is especially persuasive. By the end, it seems as if Fitzgerald's flawed second novel has been redeemed by audio. For most serious literature collections.
Jo Carr, Sarasota, Fla.
Copyright 1994 Reed Business Information, Inc.
Review
The story of Anthony Patch s pursuit of the beautiful, spoiled Gloria Gilbert and their financial and social decline after marriage seems interminable and rather self-indulgent; the dialog and descriptions, too, are strained. But in this audio edition of Fitzgeralds longest and arguably weakest novel, while actor/narrator Kirby Heyborne initially seems overwhelmed by the overripe verbiage, his understated style ultimately emerges as a perfect match for the callow hero, and he ably conveys the sense of wonder in audiences Fitzgerald surely intended them to feel. For Fitzgerald completists, who will savor this best reading The Beautiful and Damned is likely ever to receive, and for those who might appreciate the work for its portrait of early 20th-century New York. --Library Journal
From the Inside Flap
Following the great critical and financial success of his first novel, This Side of Paradise, F. Scott Fitzgerald published The Beautiful and the Damned in 1922. An immediate success upon its first publication, Fitzgerald's second novel is a dazzling portrait of love and life among the beautiful people. Through the story of two newlyweds, Anthony Patch of New York and Gloria Gilbert of Kansas City, Fitzgerald flawlessly captures the heady atmosphere and jaded values of the Jazz Age. Patch, expecting to become the sole heir to his grandfather's millions, embraces a life of endless parties and intellectual pretensions. In Gloria, he finds an exquisite ornament and a passionate lover. The couple whirls through days that mirror Fitzgerald's own--a fast life amid a smart set for which there is never enough cash. Beginning with wit and clever repartee, The Beautiful and the Damned quickly becomes a scathing chronicle of a dying marriage and a hedonistic society where beauty is all too fleeting. Through the character of Richard Caramel, a successful hack writer whose talent fails as he prospers, Fitzgerald caricatures himself. But today's readers will find an even more poignant self-portrait of Fitzgerald and his wife Zelda in Anthony and Gloria, a couple whose days of wine and roses fade quickly toward a tragic end.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Extraordinary Writing, What Fitzgerald is Known For
By Claudia J. Taller
This novel took a while to warm up to but the more I read, the more I became involved in it. Fitzgerald's language is beautiful, so I continued reading just for the extraordinary writing. The book, like The Great Gatsby and Tender is the Night, is populated by people who are wealthy and lost, the famous "Lost Generation." Interestingly, I'm now reading The Age of Innocence by Edith Wharton, which was published in 1920, two years before The Beautiful and the Damned, and we're in the same New York City Fitzgerald created but with a different focus. I recommend the book especially to writers because even though there's a tendency and preference to write shorter sentences today, Fitzgerald's fluid writing makes a case for more complex constructions and the use of metaphor and polished narrative description.
0 of 0 people found the following review helpful.
As beautiful as can be...
By RaymondGW
There's a reason F. Scott is one of the GOATs. What he can do in describing a dinner scene is greater than what most authors can do in their entire novels. The words here are beautiful, decadent, oozing style and grace and charm and sensuality in spades. While the pacing is often slow, when you realize that it was done deliberately you begin to enjoy the words upon words F. Scott uses to delve into the minutiae of these people's lives. Anthony and Gloria aren't exactly likable characters, and they weren't meant to be, but in watching their lives fall apart and their dreams become ever more deferred they do manage to extract a tiny bit of sympathy from the reader. If you have some time on your hands and enjoy a little bit of schaudenfreude, it's more than worth a read.
38 of 39 people found the following review helpful.
A must-read--before it's made into a movie
By T. M. Teale
Nearly ninety years after its first publication, _The Beautiful and Damned_ is still a shockingly relevant account of the entitlement class, the children of the rich or privileged who don't know how to navigate through life without big money. And, it's a New York City novel--written as only a mid-westerner can. It seems to me that because New Yorkers are too much in the middle of it to see themselves clearly, an intelligent "outsider" like F. Scott Fitzgerald must come along. To write as well as he did, Fitzgerald let the city inhabit him. New York got into his blood, and he recorded it in narrative right down to the dirt under the carpet. Fitzgerald's details lead the reader into the depths of the beautiful and doomed couple, the Gloria-Anthony entanglement, as they are part and parcel of the extremes of poverty and wealth (in the World War I era or the roaring 20s).
I don't know how Fitzgerald knew what he knew about the human psyche, or specifically about how a young man might react when he is good-looking and swimming in money and New York, but Fitz's life at Princeton University among this set of people gave him the environment in which to observe; Fitzgerald supplied the story around which the narrative coheres. Of course, there are autobiographical elements to this novel--a lot of himself and Zelda--but what the literary art requires is critical distance. To put his main characters through some shameful scenes, Fitzgerald had to know what tough love is in the New York City context. He had to put his couple to the test, people who from birth had relied on the "religion" of charm and money. And the author had more than just critical distance: F. Scott had them down right! Every expression, every word. Gloria: "This is life! Who cares for the morrow." And you can see Anthony deciding to have one more drink, his speech becoming slurred, his manners maudlin. While Anthony and Gloria wait for his inheritance, we find out what they're made of.
Most pleasurable about Fitzgerald's craft is his carefully-controlled technique of letting Anthony and Gloria visit hell (the "damned" in the title) while softening the harsh surgery-like light with well-timed, well-handled, lyrical sentences. In a single beautiful line, the passage of the winter sun describes both Fitzgerald's craft and his beautiful couple's descent: Gloria "lay still for a moment in the great bed watching the February sun suffer one last attenuated refinement in its passage through the leaded panes into the room" (p.173). Fitzgerald knew how to show the attenuated and refined way downhill.
One more thing about the craft of writing: Only the omniscient narrator technique--which Fitzgerald employs--can show characters in shameful acts and show what they're thinking, and the circumstances in which they got there, and how they "need" money in order to "survive." I wonder if now, in nearly 2010, this novel is not more important than in 1922. More than ever, _The Beautiful and Damned_ is a national portrait. (I can see how "spending" money could be the "sex" in the novel.)
Advice: Read this novel while in New York, if possible. The first time I read _The Beautiful and Damned_, I was living near 123rd (me, a Westerner!). I looked up every address in the novel (except for the gray house near Cos Cob, Conn.) and got to know New York through this novel. In fact, I could almost pick out their final apartment in Harlem near 127th.
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