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The Flash: Rebirth, by Geoff Johns
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Geoff Johns and Ethan Van Sciver, the visionaries responsible for the blockbuster GREEN LANTERN: REBIRTH and THE SINESTRO CORPS WAR, comes the start of an explosive and jaw-dropping epic that will reintroduce to Barry Allen, the modern age Flash who single-handedly birthed the Silver Age of comics! DC history will be made, and the Flash legacy will be redefined!
- Sales Rank: #753137 in Books
- Brand: DC Comics
- Published on: 2010-05-04
- Released on: 2010-05-04
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 10.30" h x .50" w x 7.00" l, 1.10 pounds
- Binding: Hardcover
- 168 pages
- Used Book in Good Condition
About the Author
Geoff Johns has written scores of comics including Infinite Crisis, 52, Green Lantern, All Star Batgirl, Teen Titans, X-Men, The Avengers, The Flash, JSA and Superman. Ethan Van Sciver joined DC Comics to draw Impulse and has gone on to illustrate the adventures of its greatest heroes, including Superman, Batman, Green Lantern and The Flash.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Uninspired but a good summary of Flash events if you want a starting point
By Veronica E Silber
Flash: Rebirth was decent. The writing was pretty ham-fisted, very preachy without very much nuance. It played fast and loose with the laws of the Speedforce and time travel, while simultaneously making Barry Allen one of the dullest characters in the DC universe (and that's including Superman) - honestly, I came into this series thinking the Barry Allen was one of DCs better characters and left thinking of him as a fast boy scout - honestly, Wally West has more depth. They misused the word "reboot". Rebirth picks up where Crisis left off, all the same plot points and events still occurred, the only difference is that (SPOILER) Nora Allen was murdered by Eobard Thawne and Henry Allen went to prison for it. Other than that small detail, everything in this Flash universe is the same as before, Barry Allen's just magically back and ready to go on more adventures, cause nothing says "I learned the secrets of the universe and ultimate enlightenment" like beating up Captain Cold. All things which might be forgivable if the story didn't culminate in a Steven Moffat Dr. Who-esque Deus Ex Machina where "feeling really strongly about stuff" magics things better again. Despite its heavy-handed "love is the answer" writing style, Rebirth is actually a pretty decent starting off point for anyone who want to get into the Flash and doesn't want to start the series back in the 1950's. It neatly summarizes all the major plot points and events of the past 60 years and sets the stage for the rest of the series.
I think my biggest complaint is with the artwork. While the artist excels at action scenes (there were a couple of really beautiful frames, one being when Barry was running on water, every tiny rivulet of water was lovingly hand drawn, and when Wally and Barry were being torn apart by the Speedforce, very creative, very engaging, lovely panels), he struggles to maintain women's faces. I kid you not, there was a panel where I would NOT have recognizes Iris West if not for context and hair color. And Nora Allen? *shudders at the thought* The artist tried to draw her at a challenging angle and ended up drawing her like a melting crone. The notable exceptions to the artist's "can't consistently draw women" rule are Irey West and Jesse Quick - proving that he is only capable of drawing little girls and super hot chicks.
But I think I take particular issue with the design of Barry Allen. This might be my own personal beef with DC/Marvel comics in general, but how come all the superheroes look professional wrestlers? Like, ok, sure, their superpowers make them mad buff, but what about Barry Allen BEFORE he got his powers (through a ridiculous and apparently very reproducible lab accident involving lightning - coming in through the window? - and a bunch of chemicals, making Barry Allen basically DC's Power Puff Girl). Barry was a CSI geek, who basically lived at the lab trying to solve his Mom's murder, when exactly did he have the time and the inclination to hit the gym and become mad swole? For someone who was supposed to be super slow and a total dork, he looked suspiciously like John Cena. And even after he got his powers, I mean, come on, that's just bad character design. His mad all-over muscles connote super-strength, not super-speed. For Superman I totally get the body-builder physique, but for a Speedster I'd expect him to be streamlined, have a runner's body. It's just lazy artistry: "I'm drawing a superhero? Oh, I clearly should draw him like 90's Arnold Schwarzenegger" without even taking into consideration his a) day job, b) super powers, or c) personality. Very disappointing.
Tl;dr:
The writing is preachy and full of MacGuffins but is a pretty good summary of everything that's happened in the Flash storylines up to this point so you can read from Rebirth on and be pretty clear on events. Art is beautiful on action sequences but suffers in character design, especially that of Barry Allen, and consistency of female characters.
Verdict:
Very bland, but if you want to get into the Flash without starting in 1950, it's a good jumping off point. Also, I think I've decided Wally West is a much more interesting Flash than Barry Allen, if this story is anything to go by.
0 of 0 people found the following review helpful.
better left as a dead, legendary icon
By Frank L. Greenagel II
Barry Allen died in 1986 during the Crisis on Infinite Earths which reduced the size, scale and complexity of the DC Universe into a manageable realm where origins were rewritten for Reagan-era sensibilities. Twenty-three years later, DC comics brought him back, despite the fact that a couple generations of comics readers (I consider a comic-reading generation to emerge every 10 years, instead of the 20 years applied to human generations) only know Wally West as the Flash.
Geoff Johns is an excellent writer and is the major architect of the current DC Universe. He handled Hal Jordan's return with aplomb, but this tale is more scattered and more sloppy. A problem of this book (and Flash books overall) is that there are way to many Flashes and speedsters. Another issue that I have is that the major villain in this piece is a speedster too (a real weakness in comics is having a hero fight a villain who has the same power - if you are reading this, you can come up with your own list, I'm sure...a much more interesting match is Luther vs. Superman or Dr. Doom vs. Mephisto).
The art is pulpy but passable.
1 of 1 people found the following review helpful.
Great Stuff
By Aaron B
This was my first Flash book and I have to say I was very entertained. The story is obviously centered around explaining Barry Allen's return, but it encompasses much more, and sets the stage for the start of New 52. Great Art. Great Writing. Great Book
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