Download Ebook Grand Etteilla Egyptian Gypsies TarotFrom United States Games Systems
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Grand Etteilla Egyptian Gypsies TarotFrom United States Games Systems
Download Ebook Grand Etteilla Egyptian Gypsies TarotFrom United States Games Systems
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B. P. GRIMAUD COPYRIGHT J-M SIMON 1969 PRINTED IN FRANCE cards still in what remaines of cello lwb like new other than small coffie mark on back cover that does not penitrate/only serface mark box intact cards pristene/unused still
- Sales Rank: #1868865 in Books
- Published on: 1996-06
- Original language: English
- Dimensions: 5.25" h x 2.75" w x 1.50" l,
- Binding: Cards
- unused/lwb is in english printed in france in 1969
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This deck is expensive, but well worth it …
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1 of 1 people found the following review helpful.
Essential historical deck
By Larry Benjamin
The Etteilla deck dates from the late 18th century, and was the first Tarot deck specifically intended for occult use. Prior to that, Tarot decks were primarily used for card games like Tarocchi, a card game similar to bridge. Antoine Court de Gébelin was the first person to promote the theory, based on pure imagination, that the Tarot had been developed in Ancient Egypt, and was later brought to Europe by the Roma people (better known by the pejorative term "Gypsies"). This ignored the fact that the earliest mention of Tarot was in a church document listing several types of prohibited games, dating from the late 14th century, and that the earliest surviving Tarot decks, which still exist today and whose provenance is unassailable, were painted for several Italian noble families, like the Visconti Sforza in the 15th century. This was before Roma people, who came from India and not Egypt, arrived in Europe. In addition, Roma fortune-telling uses ordinary playing cards, not the Tarot deck.
This deck was the first one to capitalize on the new "mystery" surrounding Tarot cards, and was a significant change from the typical Tarot de Marseilles decks available at the time. Developed by wigmaker-turned-occultist Jean-Baptiste Alliette, who reversed his last name to become "Etteilla," the deck was unabashedly oriented toward fortune-telling. Each card has the primary and reversed meaning clearly marked, and the accompanying booklet provides lists of "predictions" for each one, the type of thing that was brilliantly parodied in Edward Gorey's The Fantod Pack, which manages to be both disconcerting and irreverent at the same time.
The cards of the Etteilla deck are numbered 1 to 78, leaving no option for alternate ordering. The first 21 cards correspond roughly to the Major Arcana, although in no particular order, and with several differences. The first card is labeled "Etteilla" and reversed "The Male Consultant," and depicts a sun shining through clouds. The second card, entitled, "Enlightenment," has an image vaguely reminiscent of the "Sun" card of a standard Tarot deck. Number 3, "Discussion," resembles the "Moon" card; others, like number 7, "Support," show a number of sea animals and don't correspond to any standard Major. This pattern continues until number 22, which begins the four suits of the Minor Arcana, ordered from King down to Ace; the numbered cards with the exception of the Two card in each suit are pips. The Twos are illustrated with small figures, reminiscent of the decorative drawings in the Minchiate of Etruria - more than just the requisite number of suit signs, but not as graphic as the Rider-Waite or the Sola-Busca deck that many of Smith's illustrations were based on. Number 78 is entitled "Madness" with an image similar to the standard "Fool" card - if one views the deck as a circle, this could also be the first card.
The instruction book doesn't bother with "spreads;" it recommends shuffling the deck, then taking five cards at a time and turning the fifth face upward until 33 to 45 cards are revealed; how this would be done with a 78 card deck without going through it multiple times is not explained. Predictions are revealed by the seventh, fourteenth, twenty-first, and so on. The card titles described in the book appear to have no connection with the actual cards; the number 2 "Enlightenment" card in the book is "Hiram Freemasonry," and number 3 "Discussion" is "Order of «Mopses»." This disconnect with the cards continues through the book.
Physically, the cards are printed on stiff stock, measure about 5" by 2 ½" with square corners, and the back is a simple grid pattern.
Today, "fortune-telling" is considered a debasement of Tarot, which is seen as more appropriately used for "guidance" or "personal development." The idea of crassly predicting someone's fate is inappropriate, as if one should be above petty concerns such as knowing whether a business deal is a wise one or if one is making a good choice in marriage. We should instead strive to be "spiritually advanced," which will lead us to make the correct decisions in life ourselves, without need for direction from any external source. Etteilla's audience was under no such illusions, and he may have been the first person in history to make his living by giving Tarot readings. While this deck may not appeal to a modern person for that purpose, it's nevertheless of interest as a significant milestone in the development of Tarot.
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