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Homicide: A Year on the Killing Streets, by David Simon
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From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl.
Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition―which includes a new introduction, an afterword, and photographs―revives this classic, riveting tale about the men who work on the dark side of the American experience.
- Sales Rank: #146519 in Books
- Brand: Holt McDougal
- Published on: 2006-08-22
- Released on: 2006-08-22
- Original language: English
- Number of items: 1
- Dimensions: 8.18" h x .5" w x 5.57" l, 1.20 pounds
- Binding: Paperback
- 672 pages
- Holt McDougal
Amazon.com Review
This 1992 Edgar Award winner for best fact crime is nothing short of a classic. David Simon, a police reporter for the Baltimore Sun, spent the year 1988 with three homicide squads, accompanying them through all the grim and grisly moments of their work--from first telephone call to final piece of paperwork. The picture that emerges through a masterful accumulation of details is that homicide detectives are a rare breed who seem to thrive on coffee, cigarettes, and persistence, through an endlessly exhausting parade of murder scenes. As the Washington Post writes, "We seem to have an insatiable appetite for police stories.... David Simon's entry is far and away the best, the most readable, the most reliable and relentless of them all.... An eye for the scenes of slaughter and pursuit and an ear for the cadences of cop talk, both business and banter, lend Simon's account the fascination that truth often has."
From Publishers Weekly
Baltimore Sun reporter Simon spent a year tracking the homicide unit of his city's police, following the officers from crime scenes to interrogations to hospital emergency rooms. With empathy, psychological nuance, racy verbatim dialogue and razor-sharp prose, he offers a rare insider's look at the detective's tension-wracked world. Presiding over a score of sleuths is commander Gary D'Addario, "connoisseur of survival" who grapples with political intrigue, massive red tape and "red balls" (major, difficult cases). His detectives include Tom Pelligrini, obsessed with solving the rape-murder of an 11-year-old girl; Rich Garvey, whose "perfect year" is upset by a murder case that collapses in court; and black, cosmopolitan Harry Edgerton, a lone wolf, son of a jazz pianist. This hectic daily log reveals the detective's beat on Baltimore's mean streets (234 murders in 1988) to be brutal, bureaucratic and, occasionally, mundane.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
The city of Baltimore saw 234 murders in 1988. Allowed unlimited access to a shift of the city's homicide unit, police reporter Simon chronicles that year. The sociopaths, the crackheads, and their crimes are horrifying, but equal horrors are found in the attitudes of jurors in a case of the shooting and blinding of a policeman and in statistics showing the ultimate legal fates of those apprehended by the unit. Immersing his readers in cases, procedures, politics, and the detectives' personalities, Simon risks being sabotaged by the sheer scope of his account. Still, for those with strong stomachs and the willingness to work to keep the characters and dramas straight, he has produced a riveting slice of urban life. Recommended.
- Jim Burns, Pompano Beach City Lib., Fla.
Copyright 1991 Reed Business Information, Inc.
Most helpful customer reviews
4 of 4 people found the following review helpful.
"Homicide" A Great Book That Inspired Even Greater TV
By Charles Scoggins
In the opening scene of the classic HBO series "The Wire" a Baltimore homicide detective interviews the witness to a seemingly senseless murder of a teenager in the street and wants to know why the victim's street name was "Snot Boogie" and why he was shot. Reading "The Wire" producer David Simon's journal of a year spent with the Baltimore homicide department when he was a crime reporter for the Baltimore Sun, I was certain that scene was so real it had to be in the book somewhere. And it was, toward the end.
Simon was attuned to life on the gritty, city streets of Baltimore with an ear for the argot unlike any other producer of a TV crime show or crime writer. It showed in the TV series "Homicide: Life on the Streets," "The Corner," and lastly his masterpiece, "The Wire," and it shows in this pull-no-punches book. The senseless killings, the frustration of the detectives when confronted with a stone-cold "who-dun-it" they knew would never get solved, the anger when obviously guilty people they had arrested went free after trial ... it's all here, and more. As I read this book, I could see the models for the characters who appeared in the TV shows (I didn't even need to see the photos of the actors playing these models to figure out who they were) being developed. It isn't easy to make non-fiction a gripping read, but David Simon makes it look easy.
3 of 3 people found the following review helpful.
Uneven writing, best for fans of the TV show: 3.5 stars
By N. Andreassen
Having been a devoted fan of Homicide the TV series ever since the premier of its first episode, I'd intended to get around to this book "some day" for quite a while and I really wanted to love it--but, like some others here, I did find it somewhat disappointing. However, I'd still recommend it--definitely--to anyone interested in Simon's TV work, though more or less in the context of a "special feature" for the super-deluxe boxed DVD set. I definitely enjoyed seeing how one detective had undergone the transition from real-life murder police to fictional character with little more than a change of name (some entire passages of his dialogue make it to the series almost word for word); while other detectives were modified for TV by a change of race, nationality, or gender; and some of the series's characters turn out to be composites of more than one real-life detective, while others have no clearly recognizable antecedent on the Baltimore PD at all. (Most of this, presumably, was done to round out the ensemble cast, as many of the detectives in the book don't quite spring to life or stand out very distinctly.) Likewise, many of the cases were presented on the series almost exactly as they happened, while others were modified for television. Little bits and pieces of information from the book will pop up in this or that episode, and all this creates a kind of "window" into a complex, ultimately collaborative creative process that's actually more fascinating than is the book alone. One other thing worth noting: Homicide the series had such a profound and pervasive influence on cop shows ever since that some this material has probably lost its original impact. That, too, probably makes this book more rewarding for fans of the show than for most other readers.
My main negative regarding this otherwise often fascinating book is that I found it extremely uneven. It wouldn't surprise me if it started out as a collection of separate essays--written, perhaps, for publication is separate magazines-which were later strung together to make a book and organized by using a year on the calendar. The most effective and compelling passages, for me, were those at the very beginning: the first few chapter are written in a quick, punchy, present-tense "you are there" journalistic style; and I was disappointed when the bulk of the book slid down into past tense and into more and more exposition. This "strung together" quality also manifests in a couple of quite long chapters--one describing what happens in a courtroom; one describing what happens in the morgue, etc. A couple of other reviewers here complain that the book is too long and dry, and I believe those qualities result only from this lack of integration among parts.The weakest passages here are definitely those where Simon gets entirely away from action and dialogue and bogs down in the exposition. One example: his explanation of "The Board"; I found it so clumsy that, had I not already been familiar with The Board from the series (where red names turn to black...), I'm not sure I could have followed what he was saying. But again, every fan of the show--and any fan of The Wire as well--will probably get a lot out of this--especially if you don't read it cover to cover, but treat it as a series and read it over time.
2 of 2 people found the following review helpful.
Excellent
By Ghostgum
A well written account of the difficulty of conducting investigations where the first axiom is "everybody lies." Black humor is the arbiter of mental health, if not good taste, in a workplace where the crimes of others assault the senses of investigators daily. The workplace is also an adversary of the toiling detective. Those with significant rank take an "everyone's disposable" attitude when protecting themselves from fallout in the press or public opinion. So who'd want to do this work when the odds are against clearing a crime, unless the criminal is uninformed or stupid? Simon asserts it's the best of an experienced & seasoned bunch. The narrative moves along at a comfortable pace. Scenarios are realistically described without sensationalism. Methodologies are explored, for extracting information. It's like a ride-along which continues afterwards to explore the relationships, banter & everyday experiences of Detectives in routine matters & under pressure. The narrative never stalls. It has a dynamic, dramatic intensity. Very readable & unlike other books on this subject.
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